What’s New

The small caption under each gallery-edition painting used to repeat the painting's title before the artist and year. Now the title appears once, with the artist and year on the line beneath it, like a museum label. This applies to all 540 gallery prints.

Kandinsky's Composition VII, Franz Marc's Blue Horse I and The Foxes, Mondrian's Composition No. IV, Delaunay's Saint-Séverin, Popova's Painterly Architectonics and more now also print edge to edge, very slightly cropped to fit the sheet. Six of them come on gallery-wrapped canvas. Full-bleed product pages also no longer wrongly say the painting is shown uncropped.

Botticelli's Madonna of the Magnificat and Raphael's Alba Madonna are round paintings, and the Ghent Altarpiece has arched wings. Their prints showed each one on a white square that didn't match the paper. The white is gone: each painting now sits on the paper in its real shape.

The museum photographs of Yellow-Red-Blue, Contrasting Sounds, Picture with a Black Arch, Murnau Landscape with Tower, Painting on Light Ground and In Grey included a strip of the grey wall behind the canvas, which showed as a thin grey frame round the painting. It is trimmed off; the whole painting is still there, edge to edge.

Our simple drawn botanicals (single fern fronds, leaves and herbs in fine line on pale paper) used to come first in the shop and on the botanical pages. They are still here, but the restored colour plates, paintings and posters now come first everywhere, and the Vintage Botanical and Blue pages have new cover images. The Black & White page now includes Dürer's engravings and woodcuts, Melencolia I, Knight, Death and the Devil and the Rhinoceros among them.

The first abstract art arrives: nineteen Kandinskys (Composition VII, Yellow-Red-Blue, On White II, Circles in a Circle), sixteen Klees (Senecio, Castle and Sun, Fish Magic, Red Balloon), Mondrian from his early trees to the red, yellow and blue grids, Malevich's Suprematism, sixteen by Franz Marc (Blue Horse I, The Tiger, The Foxes), plus August Macke, Robert Delaunay, Alexej von Jawlensky and Lyubov Popova. Each comes as a gallery print of the whole painting and as an exhibition poster, and there is a new Early Abstract Art page. All nine painters have their own artist page with a short biography.

Leonardo's La Belle Ferronnière, Bruegel's Harvesters and Peasant Wedding, Dürer's Self-Portrait, Melencolia I and Praying Hands, Holbein's Henry VIII, van Eyck's Man in a Red Turban, Arcimboldo's Seasons and more now also print edge to edge, very slightly cropped to fit the sheet. Seven of them are available on gallery-wrapped canvas.

A new William Morris & Patterns collection: Strawberry Thief, Trellis, Willow Bough, Pimpernel, Acanthus, Fruit, Bird, Honeysuckle and more, with John Henry Dearle's Golden Lily and Compton and May Morris's Honeysuckle. Each repeating pattern prints edge to edge on paper or gallery-wrapped canvas, and each design also comes as an exhibition poster. Two carpets, an embroidered panel and two cushion covers are printed whole, so you see the entire piece. Morris, Dearle and May Morris each have an artist page with a short biography.

The Collections page is long — subjects, art movements, museums, rooms, colours, gifts and artists. A row of links at the top now takes you to any section, stays in reach as you scroll, and shows which section you're in.

The Renaissance arrives: Leonardo (Mona Lisa's neighbours: the Virgin of the Rocks, Lady with an Ermine, Ginevra de' Benci), Raphael, Botticelli, Titian, Dürer, Bruegel, Bosch, van Eyck, El Greco, Giorgione, Bellini, Cranach and more — each as a gallery print of the whole painting and as an exhibition poster. Altarpieces with arched or stepped tops are printed in their true shape on the paper, not as a rectangle with white corners.

Its poster had been made from a photograph of the triptych in the gallery, with visitors in front of it, instead of a scan of the painting. Both editions are now printed from the Prado's own high-resolution image of the whole triptych.

Some full-bleed paintings (Sunflowers, the Hay Wain, Impression, Sunrise, Hunters in the Snow and 53 others) were not quite the shape of the paper, so a thin strip in the painting's own edge colour filled the gap. They are now trimmed very slightly instead, a few percent at most, so the painting runs right to the edge. Each full-bleed page now says it is lightly cropped; the gallery edition of every painting is still the whole work, uncropped.

Seventeen plates from Albertus Seba's Cabinet of Curiosities were listed as shells but actually show bats, flying foxes, birds of paradise, a flamingo, frogs, turtles, scorpions and weaver-bird nests. Each now has a title that matches the picture, and the old links still work. Three plates were listed twice under different names (Millot's butterflies and insects, and Gould's Scintillant Hummingbird), so each now appears once. Kōno Bairei's nineteen bird-and-flower woodblocks, which had been credited to Ohara Koson, now have their own artist page.

Pages like Housewarming Gifts, Gifts for Cooks, Living Room or Burgundy hold hundreds of prints, which is a lot to scroll when you want one. Each now opens with up to twelve we'd start with, chosen by eye, and a line under each on who it suits or where it goes. The full collection follows underneath. We also corrected the sets copy, which said three prints cost about the same as two; the set discount is 10%.

Each product page has a new 'Where it works' section: which rooms the piece suits, its mood and palette, which size fits a shelf, a desk or the wall above a sofa, and how to frame it. Artist pages now show every edition of a work — print, full-bleed and exhibition poster — so the count on 'View all by this artist' matches what you see.

The Oxbow, the Course of Empire, the Voyage of Life, Heart of the Andes, the Rocky Mountains, Monk by the Sea, the Raft of the Medusa and others now also come printed edge to edge where the painting fits a sheet closely. 178 paintings now have the edition.

Fifteen Turners (the Venice views, Dido Building Carthage, the Burning of the Houses of Parliament in both versions, Keelmen Heaving in Coals, Snow Storm), eight Constables, eight Friedrichs (Monk by the Sea, Abbey in the Oakwood, Chalk Cliffs on Rügen), Delacroix, Géricault's Raft of the Medusa, Goya's two Majas, Blake, John Martin, and the American landscape at its grandest: Cole's Oxbow with the complete Course of Empire and Voyage of Life, Church's Heart of the Andes, Niagara and the Icebergs, Bierstadt's Rocky Mountains and Yosemite, Moran's Yellowstone, Heade, Kensett, Inness, plus Corot, Boudin and Millet's Angelus. Each as a fine-art print and an exhibition poster; most at the largest sizes. Fourteen painters get their own pages.

The Goldfinch, The Little Street, the Laughing Cavalier, the Syndics, Vermeer's Geographer and Music Lesson, the Dutch flower pieces and others now also come printed edge to edge where the painting's proportions fit a sheet closely; the Goldfinch is on canvas. 125 paintings now have a full-bleed edition.

A little after your print arrives we'll check it reached you safely (with a few notes on hanging it), and later ask how it looks on the wall. Reviews go on the print's page under your first name once we've read them — we don't edit them and we don't pay for them. Every follow-up has a one-click unsubscribe; order and shipping emails are unaffected.

Ten more Rembrandts (the Syndics, Belshazzar's Feast, the Polish Rider, the late self-portraits), ten more Vermeers (The Little Street, the Geographer, the Music Lesson, the Love Letter), Frans Hals's Laughing Cavalier, Fabritius's Goldfinch, Jan Steen, de Hooch, Ruisdael, Hobbema's Avenue at Middelharnis, Avercamp's skaters, the great Dutch flower still lifes by Ruysch, van Huysum, Bosschaert and de Heem, five Canalettos, Rubens, Van Dyck, five Velázquez, Zurbarán, Murillo, La Tour, Artemisia Gentileschi, Poussin, Claude and Tiepolo. Each as a fine-art print and an exhibition poster; most at the largest sizes. Twenty-three painters get their own pages.

Until today the 12×18 and the smaller landscape sizes could only be bought unframed. Every size now comes framed in black or natural wood — from $99 for a framed 12×18 — in both portrait and landscape.

Every print now shows two companions that hang with it — its curated set where one exists, otherwise two from the same source, shape and edition — with the set price and one Add all three button under the buy buttons. The 10% set discount is included in the price shown. A Choose different prints link opens the set builder with that print already in the tray.

Sets are now a thing of their own. The Sets of 3 page shows every ready-made set as one picture of the three prints side by side — Audubon's owls, three Redouté roses, three heirloom apples, the Bauhaus trio, Van Gogh in Arles, Hokusai and Hiroshige, three constellations, Denton's game fish and more — grouped by family. Each set has its own page where you choose one size and frame (or canvas) for all three and add them in a click; the 10% set discount applies in the cart. And on the bird, botanical, kitchen, abstract and famous-painting set pages you can now build your own: tap Add to set on any three prints of the same shape, and the same picker appears in a tray at the bottom of the screen. Every print that belongs to a set now says so on its own page.

Wide prints can now be ordered framed: 36 × 24 and 24 × 18, in black or natural wood, and the 3:4 posters gain a framed 18 × 24. A product page was telling buyers of a landscape print that framing was available on sizes it didn't come in; it now names only the framed sizes that print actually offers, or says plainly that it ships unframed. Painting pages also show the year, medium and holding museum under the title in place of a repeated credit line.

Where one of this week's paintings fits a print size closely — Poppies, the Japanese Footbridge, Rouen Cathedral, Two Sisters, Dance at Bougival, The Basket of Apples, Olympia, Starry Night Over the Rhône, The Yellow House, the Floor Scrapers and more — it now also comes printed edge to edge with no border or caption. Four of them are on gallery-wrapped canvas. That makes 95 paintings with a full-bleed edition.

Five new Sets of 3 pages (birds, botanicals, kitchen, abstracts, famous paintings), each opening with ready-made trios you can add to the cart in one click, choosing one size and frame (or canvas) for all three with the set price shown as you pick — three Audubon owls, three Redouté roses, three heirloom apples, a Bauhaus trio, three Van Goghs — with the 10% set discount applying automatically. Ten gift pages: housewarming, anniversary, gifts for her and for him, for doctors and nurses, anglers, cooks, travellers, art lovers and yoga lovers. Seven more rooms: dorm, classroom, home gym, hallway and entryway, kids room, large canvas and horizontal prints for a wide wall. And six colour pages for the palette designers are naming this year — burgundy, chocolate brown, cornflower blue, butter yellow, blush pink and neutral. All under Collections, and in a new Gifts, Rooms & Sets menu.

The biggest painting wave yet: 15 Monets (Poppies, the Japanese Footbridge, Rouen Cathedral, the Houses of Parliament, the Magpie, two more Water Lilies), 8 Renoirs (Two Sisters, Dance at Bougival, The Umbrellas), 11 Van Goghs (Starry Night Over the Rhône, the Yellow House, Dr Gachet, Cypresses, Roses), Cézanne, Degas, Manet, Morisot, Sisley, Cassatt, Gauguin, Seurat and four Toulouse-Lautrec posters, each as a fine-art print and an exhibition poster. Most were made from the museums' own high-resolution files, so for the first time paintings are offered at 24 × 36 and 32 × 24 inches.

The reference and typographic lines now have proper pages of their own — verb conjugation charts for five languages, the courts and fields of nine sports drawn to scale, a dozen literary quotes, and eight great speeches printed in full — each with a short note on what they are and where they hang. The menu and homepage now lead there directly.

Manet's A Bar at the Folies-Bergère was reproduced from a soft gallery photograph; it's now made from a 12,500-pixel scan of the painting, and it becomes the first painting offered at 32 × 24 inches. Separately, full-bleed editions whose proportions were within a hair of the sheet were getting a thin band of ground down one edge (Paris Street, Rainy Day had one on the right). Those are now trimmed by a frame-rebate's worth instead, so the painting runs clean to the edge.

Twelve new pages group the famous paintings by where the originals hang: the National Gallery in London, the Musée d'Orsay, the Met, Tate Britain, the Rijksmuseum, the Art Institute of Chicago, the Van Gogh Museum, the Uffizi, the Mauritshuis, the Louvre, the Kunsthistorisches Museum in Vienna and the Prado. Each page has a short note on the collection and lists the works we reproduce from it; the museum's own record of each painting is linked from its product page. We're an independent studio with no connection to any of them.

With the new 4:3 size, Irises, Impression Sunrise, Hunters in the Snow, The Tower of Babel, The Fighting Temeraire, The Sea of Ice, The Gleaners, A Bar at the Folies-Bergère, the Luncheon of the Boating Party, the Bal du moulin de la Galette, Paris Street Rainy Day, The Anatomy Lesson, The Jewish Bride, The Lady of Shalott and others can be printed edge to edge with no border or caption. That brings the full-bleed editions to 61 paintings.

Thirty-two of the famous paintings — The Bedroom, Irises, Almond Blossom, Impression Sunrise, The Starry Night, The Night Watch, the Luncheon of the Boating Party and more — are closer to a 4:3 shape than the 3:2 sheet they were printed on, so they carried bands of ground down both sides. They now print on a 4:3 sheet, in 16×12, 24×18 and 32×24 inches, with the painting filling it. The 3:4 posters gain a large 24×32 size at the same time.

All 70 artist pages, from Van Gogh and Vermeer to Audubon and Redouté, now open with a verified biography: who they were, when and where they worked, the publications the plates come from, and why the work still matters on a wall. Dates and nationality sit under the heading. New pages for the sets people hunt for by name: Hokusai's Thirty-six Views of Mount Fuji, Hiroshige's One Hundred Famous Views of Edo, and Mucha's Seasons, Flowers, Arts, Moon and the Stars, and Times of the Day. Also fixed: exhibition posters and full-bleed editions were wearing the wrong badge on product cards.

Nineteen new collection pages: the paintings grouped by art movement (Impressionism, Post-Impressionism, the Dutch Golden Age, the Renaissance, Baroque, Romanticism, the Pre-Raphaelites, Art Nouveau, Symbolism and Expressionism, nineteenth-century Realism) and by what they show (landscapes, seascapes, portraits, flowers and still life, mythology, religious painting, everyday life, interiors, night scenes). Each page carries a short history of the movement or subject and a note on where the paintings hang best. Find them under Collections.

The biggest painting wave yet: Caravaggio (The Calling of Saint Matthew, Medusa, Bacchus), Rembrandt (The Anatomy Lesson, The Jewish Bride, The Return of the Prodigal Son), Vermeer, Bouguereau, Aivazovsky's seascapes, the Pre-Raphaelites (Rossetti, Burne-Jones, Holman Hunt, Waterhouse), Sargent (including Madame X and El Jaleo), Turner, Böcklin's Isle of the Dead, and 25 Alphonse Mucha panels and posters: The Arts, The Flowers, The Seasons, the Moon and Stars, and more. Every one comes as a fine-art print and an exhibition poster, and 15 of them also as a full-bleed edition. Four Denton game fish return with their fins restored.

Where a painting's own proportions fit one of our print sizes closely — the Great Wave, Red Fuji, the Mona Lisa, La Grande Jatte, Primavera, Ophelia, The Hay Wain, The Child's Bath, Sunflowers, the Sistine Madonna, the Arnolfini Portrait, Hiroshige's Edo views and the Mucha panels among them — you can now buy it printed edge to edge with no border or caption, in addition to the gallery-ground print and the exhibition poster. The full-bleed edition is the one that works on gallery-wrapped canvas, so the first paintings on canvas arrive with it.

A new Reference section, starting with the USDA's strawberries — all 66 heirloom varieties in our restored set, listed by variety, the year each was painted (1891–1916) and the painter, with notes on the women who painted most of them and links to the original archive. Written to be read and cited, not to sell; the prints are one scroll below. Find it in the footer under Reference.

Three new groups of art: 137 plates from Audubon & Bachman's Viviparous Quadrupeds of North America — bison, grizzly, beaver, foxes, hares and a whole gallery of squirrels — on a new Audubon Mammals page; 24 of Sherman Denton's game-fish chromolithographs (brook trout, largemouth bass, pike, salmon) on a new Vintage Fish Prints page alongside Bloch's fishes; and 18 WPA travel posters we'd held back until we could restore them from the Library of Congress at full resolution — national parks, zoo, Pennsylvania, Puerto Rico and three Chicago posters. Two See America posters that had each other's picture are also fixed.

Robert Thornton's Temple of Flora (1799–1807), restored from the original hand-coloured plates — botanical art at its most theatrical, each flower set against a romantic painted landscape: the Night-Blowing Cereus glowing over a moonlit ruin, the Dragon Arum against a stormy sky, the Blue Egyptian Water Lily beside a temple, the Sacred Egyptian Bean, the American Cowslip on a windswept coast, plus rhododendron, passion-flowers, lilies, auriculas, hyacinths and roses. The showpiece plates print large and razor-sharp. Browse them at /art/vintage-flower-prints.

A big second wave from Curtis's Botanical Magazine — 31 more orchids (the cockleshell, swan, spider, butterfly, black and clown orchids, cattleyas, lady's slippers and more) alongside 23 showstopping blooms: King Protea, Bird of Paradise, Tree Peony, Oriental Poppy, Calla Lily, Chilean Bellflower, Tiger Flower, Flame Lily and a run of amaryllis lilies — each restored from the original hand-coloured 19th-century plates. Browse them at /art/orchid-prints and /art/vintage-flower-prints.

48 antique flower plates from Curtis's Botanical Magazine — 24 orchids (cattleya, moth orchid, lady's slipper, vanda, Darwin's comet orchid) plus the giant Victoria waterlily, peonies, magnolias, camellias and passionflowers. Two new ways to browse: a dedicated Orchid Prints page and a Vintage Flower Prints page gathering our whole floral archive — Redouté's roses and lilies alongside the new Curtis's blooms. Find them under Collections.

A big expansion of Pierre-Joseph Redouté's botanicals — 30 more antique roses (the Apothecary's rose, Velvet, Moss, the Duchess of Orléans, Lady Banks', the yellow Sulphur rose) plus 20 lilies, iris and tulips, restored from Les Roses and Les Liliacées at museum resolution. The rose collection is now three times deeper. Browse them at /art/vintage-rose-prints.

Two new ways into our deep berry archive — over 100 heirloom strawberries, raspberries, blueberries and gooseberries from the USDA Pomological Watercolors, now gathered as a Vintage Berry Prints collection and a dedicated Strawberry Prints collection (67 varieties, one per heirloom strawberry). Perfect for a kitchen or dining wall. Find them under Collections.

Landscape-format masterpieces — Hokusai’s Great Wave, Michelangelo’s Creation of Adam, Botticelli’s Primavera, Monet’s Haystacks, Seurat’s La Grande Jatte, Van Gogh’s Wheatfield with Crows and dozens more — now print as true horizontal prints that fill the frame, shown the way they were painted, instead of floating small on a tall sheet.

Fourteen new curated collections to browse the way you actually decorate — Wall Art for a Dark Green Room, Navy & Midnight Blue, Gold & Gilded, Terracotta & Boho, Moody & Dark, a Study or Library, the Dining Room, Gallery Wall Sets, Art Deco, and gift guides for bird lovers, scientists, plant people and teachers — each with honest advice on what works where and how to hang it. The Collections page is now organized into Shop by subject, by room, by style & colour, gifts, and by artist.

Some of the most iconic paintings in the world, newly added as museum-quality fine-art prints — Michelangelo’s Creation of Adam, Leonardo’s Vitruvian Man, Botticelli’s Primavera, Waterhouse’s Lady of Shalott, Millais’ Ophelia, Leighton’s Flaming June, Friedrich’s Wanderer above the Sea of Fog, plus Monet, Van Gogh, Hokusai, Hiroshige and Alphonse Mucha’s Art Nouveau panels — each also available as a matching exhibition poster. Browse them at /art/famous-painting-prints.

AI assistants like ChatGPT, Claude and Perplexity can now browse our full catalog — every print with its sizes, prices, shipping and guarantee — so when you ask one for wall-art ideas, it can point you to exactly the right Madten print.

A big new wave of original abstract prints across seven captivating new styles: mid-century arches, boho suns over layered horizons, flowing line art, topographic contour maps, wavy checkerboards, luxe gold-leaf, and expressive brushstrokes — each in five rich colourways (sunset, ocean, terracotta, jewel, dawn). On paper or gallery-wrapped canvas, at /art/bold-abstract-prints.

Fresh cut-out-style prints — penguin, shark, giraffe, manta ray, dragonfly, luna moth, ladybird, lotus, desert dunes, warm peaks and more — plus a redrawn stag and swan pair, bolder and clearer than before.

A calm, gallery-grade yoga collection: 39 designs — yoga poses, mantras, the seven chakras, flows and philosophy — each drawn as a single continuous gold line with its Sanskrit name, in three collectible colourways (Midnight Gold, Emerald & Gold, Terracotta). Browse poses, mantras, chakras and flows at /art/yoga-wall-art.

Gallery-wrapped canvas is now an option on the full vintage-fruit line and all the cut-out prints — the same mirror-wrapped, ready-to-hang canvas we offer on star maps and natural-history plates, now across our biggest collections.

A new statement collection — now 140+ bold abstract prints: Bauhaus and constructivist geometry, op-art optics, terrazzo and color-field, risograph and rainbow spectrum, in a wide range of colourways. Saturated and graphic, the loud counterpart to our muted boho line — on paper or gallery-wrapped canvas. Browse them at /art/bold-abstract-prints.

A new line of original boho prints — terracotta sun-and-arch scenes, layered desert sunsets, organic shapes, and minimal single-line art, all in a warm earthy palette.

A new line of restored USDA Pomological Watercolors — heirloom apples, pears, plums, grapes, peaches, cherries, citrus and more, painted from life a century ago (many of these varieties now gone). Each as a bold full-bleed print or a framed specimen on a deep forest-green ground.

Dozens of the world’s most beloved paintings — Van Gogh, Vermeer, Turner, Monet, Munch, Rembrandt and more — now available as museum-quality fine-art prints, each paired with a matching exhibition-poster edition.

A big new wave of our original cut-out-style prints — leaves, botanicals, animals, seashells and more: bold, simple shapes for a bright, modern wall.

Every Audubon bird specimen now carries its scientific (Latin) name and full plate provenance — “The Birds of America, Plate … · engraved by Robert Havell Jr. · year” — and we tidied a few duplicate listings.

A big new wave of restored John James Audubon bird prints — herons, hawks, owls, ducks, songbirds and more — plus vintage celestial drawings, each as a full-bleed plate and a cream specimen edition.

Added this page so you can see additions and changes to the store at a glance.

Search now understands typos and suggests prints as you type — search “van goh” and you’ll still land on Van Gogh.

Our own original artwork — abstract cut-outs, Art Deco, star maps, gilt botanicals and more — is now signed “Studio Madten,” gathered on its own gallery page.

Each famous painting now shows as one clear listing, linked to its matching exhibition-poster edition — no more near-duplicate cards.

Eligible pieces are now available as gallery-wrapped canvas, not just fine-art paper.

A new Art Deco line — bar-cart drinks, travel and music posters, plus a one-page Cocktail Chart in several colourways.

Standard shipping is now free on every order, no minimum. Express is available at checkout.

29 restored WPA national-park and “See America” travel posters, printed edge-to-edge.

A new mega-menu, built-in search, and a brighter, more colourful homepage.

Across 16 categories — birds, famous paintings, botanicals, mushrooms, star maps, science and more.