Every Apple the USDA Painted, 1888–1939
127 heirloom varieties from the USDA Pomological Watercolor Collection, by variety, year and painter.
Between 1886 and 1942 the United States Department of Agriculture commissioned roughly 7,500 watercolours of fruit, each painted from a real specimen so that a variety could be identified by eye before colour photography made that routine. The Pomological Watercolor Collection, now in the National Agricultural Library in Beltsville, Maryland, is the finest record of American fruit ever made — and slightly more than half of it is apples.
Apples dominated for a reason. In the decades after the Civil War the apple was America’s commercial fruit: thousands of named varieties were sold by nurseries, many under several names in different regions, and growers, inspectors and the Division of Pomology needed a reliable likeness of each one. The USDA’s painters recorded them as they arrived — a whole fruit and often a cut half, true to size, on a bare sheet — and the best were reproduced as colour plates in the department’s Yearbook. This page lists every apple plate in our restored set: the variety, the year it was painted, and where the record names one, the painter.
A good many of these varieties are no longer grown. For some, this watercolour is the only surviving image.
The painters
Nearly all of the USDA’s fruit illustrators were women, hired as scientific staff at a time when few institutions employed women as artists at all. 1 of the 127 plates here carry no painter on the record. Each named painter has a page of their own.
- Deborah Griscom Passmore · 33 plates here
- The collection’s most prolific painter (1892–1911): over a thousand of the USDA’s watercolours are hers. Trained in Philadelphia; her plates set the house style of a single fruit, true to size, on a bare ground.
- Royal Charles Steadman · 21 plates here
- One of the few men on the staff, a pomological artist from 1915 to 1941 and the collection’s fourth-largest contributor; he also modelled fruit in wax and patented a method for reinforcing the models.
- Mary Daisy Arnold · 18 plates here
- Joined the USDA in 1904 and painted for it for some forty years; more than a thousand of her watercolours — apples and strawberries above all — are in the collection.
- Bertha Heiges · 17 plates here
- A staff painter from about 1896 to 1907, credited with over six hundred plates of grapes, pears, plums, peaches and berries; the least documented of the principal USDA painters.
- Amanda Newton · 16 plates here
- One of the three most productive USDA painters (1896–1928), with well over a thousand watercolours — chiefly apples — usually a whole fruit beside a cut half, signed “A. A. Newton”.
- Ellen Isham Schutt · 9 plates here
- A USDA illustrator from 1904 to 1914, credited with more than seven hundred watercolours; she later painted a separate series of apples for the University of California.
- Elsie Lower Pomeroy · 4 plates here
- Painted for the Division of Pomology from the early 1900s until about 1912 (credited as Elsie E. Lower), then had a long exhibiting career as a California watercolourist.
- William Henry Prestele · 4 plates here
- Son of the lithographer Joseph Prestele and the Division of Pomology’s first staff artist, appointed 1 August 1887; his early plates predate the collection’s standard format.
- J. Marion Shull · 3 plates here
- Botanical artist (1909–25) and then associate botanist (1925–42) at the USDA, credited with over 750 plates — nuts, citrus, figs and many diseased specimens — and a noted iris breeder.
- L.C.C. Krieger · 1 plate here
- A Baltimore-trained painter and mycologist, best known for his mushroom paintings; he returned to the USDA in 1929 and painted fruit, bulbs and plant diseases until his death in 1940.
The varieties
Alphabetical. Each variety has its own anchor, so a single apple can be linked directly (for example #american-blush).
| Variety | Year | Painter | Plate |
|---|---|---|---|
| American Blush | 1906 | Amanda Newton | |
| Ananas Reinette | 1900 | Deborah Griscom Passmore | |
| Black Sweet | 1894 | Deborah Griscom Passmore | |
| Blenheim | 1913 | Mary Daisy Arnold | |
| Blenheim Orange | 1931 | Mary Daisy Arnold | |
| Blenheim Pippin | 1901 | Bertha Heiges | |
| Cain | 1900 | Bertha Heiges | |
| Candil Sinap | 1900 | Deborah Griscom Passmore | |
| Colorado Orange | 1904 | Bertha Heiges | |
| Conkling | 1899 | Bertha Heiges | |
| Cooper Early White | 1924 | Royal Charles Steadman | |
| Cox Orange | 1931 | Mary Daisy Arnold | |
| Coxs Orange Pippin | — | Deborah Griscom Passmore | |
| Delicious | 1925 | Mary Daisy Arnold | |
| Dixon | 1895 | Deborah Griscom Passmore | |
| Doctor Briggs | 1900 | Deborah Griscom Passmore | |
| Doctor Matthews | 1916 | Royal Charles Steadman | |
| Doctor Noyes | 1899 | Deborah Griscom Passmore | |
| Doctor Walker | 1912 | Mary Daisy Arnold | |
| Domine | 1912 | Amanda Newton | |
| Dominie | 1912 | Amanda Newton | |
| Dominion Winter | 1900 | Deborah Griscom Passmore | |
| Dona Maria | 1911 | Elsie Lower Pomeroy | |
| Donald | 1903 | Bertha Heiges | |
| Dove | 1899 | Deborah Griscom Passmore | |
| Downing Stranger | 1910 | Ellen Isham Schutt | |
| Doyle | 1935 | J. Marion Shull | |
| Doyleston | 1900 | Deborah Griscom Passmore | |
| Draper Best | 1911 | Elsie Lower Pomeroy | |
| Drumhaller | 1926 | Royal Charles Steadman | |
| Dudley | 1927 | Royal Charles Steadman | |
| Dudley Winter | 1901 | Deborah Griscom Passmore | |
| Duke Of York | 1913 | Amanda Newton | |
| Dula | 1909 | Amanda Newton | |
| Dula Beauty | 1903 | Bertha Heiges | |
| Dulaney | 1927 | Mary Daisy Arnold | |
| Dumbo | 1929 | Mary Daisy Arnold | |
| Dunlap | 1900 | Deborah Griscom Passmore | |
| Dunsmore | 1912 | Ellen Isham Schutt | |
| Earlham | 1938 | Mary Daisy Arnold | |
| Early Breakfast | 1899 | Deborah Griscom Passmore | |
| Early Chandler | 1894 | Deborah Griscom Passmore | |
| Early Cluster | 1898 | Bertha Heiges | |
| Early Cooper | 1926 | Royal Charles Steadman | |
| Early Edward | 1928 | Royal Charles Steadman | |
| Fameuse | 1912 | Mary Daisy Arnold | |
| Givens | — | not recorded | |
| Golden Ball | 1905 | Amanda Newton | |
| Goodwin | 1905 | Amanda Newton | |
| Grand Sultan | 1922 | Royal Charles Steadman | |
| Hackworth | 1906 | Deborah Griscom Passmore | |
| Herefordshire | 1921 | Amanda Newton | |
| Hungarian | 1902 | Bertha Heiges | |
| Indian Favorite | 1928 | Royal Charles Steadman | |
| Indiana Favorite | 1925 | Royal Charles Steadman | |
| Indo | 1929 | Royal Charles Steadman | |
| Ingram | 1898 | Deborah Griscom Passmore | |
| Iowa Blush | 1912 | Mary Daisy Arnold | |
| Iowa Flat | 1896 | Deborah Griscom Passmore | |
| Iowa Keeper | 1912 | Amanda Newton | |
| Jersey Black | 1913 | Mary Daisy Arnold | |
| Jersey Sweet | 1927 | Royal Charles Steadman | |
| Jonathan | 1912 | Ellen Isham Schutt | |
| Kentucky | 1900 | Deborah Griscom Passmore | |
| Lady Washington Sweet | 1894 | William Henry Prestele | |
| Lall Beauty | 1917 | Royal Charles Steadman | |
| Lamb Abbey Pearmain | 1888 | William Henry Prestele | |
| Lancaster Greening | 1897 | Deborah Griscom Passmore | |
| Landakergska | 1939 | L.C.C. Krieger | |
| Liveland Raspberry | 1909 | Ellen Isham Schutt | |
| Lowland Raspberry | 1927 | Royal Charles Steadman | |
| Magog | 1903 | Deborah Griscom Passmore | |
| Magoon | 1911 | Ellen Isham Schutt | |
| Magyar | 1904 | Ellen Isham Schutt | |
| Maiden Blush | 1918 | J. Marion Shull | |
| Major | 1915 | Royal Charles Steadman | |
| Makefield | 1901 | Bertha Heiges | |
| Malinda | 1934 | Mary Daisy Arnold | |
| Mamma | 1897 | Deborah Griscom Passmore | |
| Mammoth Limbertwig | 1905 | Elsie Lower Pomeroy | |
| Mammoth Pippin | 1920 | Royal Charles Steadman | |
| Manor | 1912 | Mary Daisy Arnold | |
| Marengo | 1900 | Deborah Griscom Passmore | |
| Matlack | 1906 | Ellen Isham Schutt | |
| Mattamuskeet | 1913 | Amanda Newton | |
| Mcintosh | 1908 | Elsie Lower Pomeroy | |
| Mcmullen | 1905 | Bertha Heiges | |
| Moore Extra | 1894 | William Henry Prestele | |
| Newtown | 1913 | J. Marion Shull | |
| Northfield Beauty | 1901 | Bertha Heiges | |
| Northwestern | 1919 | Royal Charles Steadman | |
| Northwestern Greening | 1917 | Mary Daisy Arnold | |
| Norton Red | 1913 | Mary Daisy Arnold | |
| Noyes | 1898 | Deborah Griscom Passmore | |
| Nusia | — | Deborah Griscom Passmore | |
| Nyack | 1913 | Amanda Newton | |
| Oakland | 1894 | William Henry Prestele | |
| Oconee Greening | 1899 | Deborah Griscom Passmore | |
| Ogleby | 1926 | Royal Charles Steadman | |
| Ohio Ladyfinger | 1902 | Deborah Griscom Passmore | |
| Ohio Nonpareil | 1897 | Bertha Heiges | |
| Ohio Pippin | 1920 | Royal Charles Steadman | |
| Okabena | 1924 | Mary Daisy Arnold | |
| Okoboji | 1906 | Ellen Isham Schutt | |
| Oliver Red | 1906 | Deborah Griscom Passmore | |
| Olympia | 1905 | Deborah Griscom Passmore | |
| Oxford Orange | 1915 | Mary Daisy Arnold | |
| Red Raspberry | 1898 | Bertha Heiges | |
| Rhode Island Greening | 1905 | Bertha Heiges | |
| Rochelle | 1913 | Amanda Newton | |
| Rouge Der Laudel | — | Mary Daisy Arnold | |
| Stayman Winesap | 1909 | Amanda Newton | |
| Summer Extra | 1920 | Royal Charles Steadman | |
| Sweet Orange | 1894 | Deborah Griscom Passmore | |
| Thunderbolt | 1910 | Amanda Newton | |
| Van Foedenberg | 1900 | Deborah Griscom Passmore | |
| Wasserziekerks | 1903 | Bertha Heiges | |
| Willow | 1904 | Deborah Griscom Passmore | |
| Willowmeade | 1896 | Bertha Heiges | |
| Windsor | 1900 | Deborah Griscom Passmore | |
| Winter Cheese | 1900 | Deborah Griscom Passmore | |
| Winter Green | 1929 | Royal Charles Steadman | |
| Winter John | — | Amanda Newton | |
| Winter Paradise | 1929 | Royal Charles Steadman | |
| Yankee | 1920 | Amanda Newton | |
| Yellow Bellflower | 1904 | Bertha Heiges | |
| Yellow Newtown | 1914 | Ellen Isham Schutt |
By period
1880–1889 · 1 plate
The earliest apples here belong to the Division of Pomology’s first years, when William Henry Prestele — hired in 1887 as its first staff artist — and a handful of others painted fruit for lithographic reproduction.
1890–1899 · 21 plates
The 1890s plates come from the collection’s first full decade, when Deborah Griscom Passmore (from 1892) and Bertha Heiges (from 1896) set the house style: a single fruit, life-size, on a plain ground.
Black Sweet · Conkling · Dixon · Doctor Noyes · Dove · Early Breakfast · Early Chandler · Early Cluster · Ingram · Iowa Flat · Lady Washington Sweet · Lancaster Greening · Mamma · Moore Extra · Noyes · Oakland · Oconee Greening · Ohio Nonpareil · Red Raspberry · Sweet Orange · Willowmeade
1900–1909 · 41 plates
From 1902 the department’s Yearbook carried an annual “Promising New Fruits” article illustrated with colour plates after these watercolours, and the apple record grew fastest in these years — Passmore, Heiges, Amanda Newton, Ellen Isham Schutt and Mary Daisy Arnold all painting apples.
American Blush · Ananas Reinette · Blenheim Pippin · Cain · Candil Sinap · Colorado Orange · Doctor Briggs · Dominion Winter · Donald · Doyleston · Dudley Winter · Dula · Dula Beauty · Dunlap · Golden Ball · Goodwin · Hackworth · Hungarian · Kentucky · Liveland Raspberry · Magog · Magyar · Makefield · Mammoth Limbertwig · Marengo · Matlack · Mcintosh · Mcmullen · Northfield Beauty · Ohio Ladyfinger · Okoboji · Oliver Red · Olympia · Rhode Island Greening · Stayman Winesap · Van Foedenberg · Wasserziekerks · Willow · Windsor · Winter Cheese · Yellow Bellflower
1910–1919 · 30 plates
The 1910s are Newton’s and Arnold’s decade, joined from 1915 by Royal Charles Steadman; the varieties painted now include the big commercial sorts of the pre-war orchard boom alongside regional seedlings sent in by growers.
Blenheim · Doctor Matthews · Doctor Walker · Domine · Dominie · Dona Maria · Downing Stranger · Draper Best · Duke Of York · Dunsmore · Fameuse · Iowa Blush · Iowa Keeper · Jersey Black · Jonathan · Lall Beauty · Magoon · Maiden Blush · Major · Manor · Mattamuskeet · Newtown · Northwestern · Northwestern Greening · Norton Red · Nyack · Oxford Orange · Rochelle · Thunderbolt · Yellow Newtown
1920–1929 · 23 plates
After the First World War the pace slowed. Steadman and Newton painted most of the 1920s apples, often new introductions from state experiment stations rather than nursery novelties.
Cooper Early White · Delicious · Drumhaller · Dudley · Dulaney · Dumbo · Early Cooper · Early Edward · Grand Sultan · Herefordshire · Indian Favorite · Indiana Favorite · Indo · Jersey Sweet · Lowland Raspberry · Mammoth Pippin · Ogleby · Ohio Pippin · Okabena · Summer Extra · Winter Green · Winter Paradise · Yankee
1930–1939 · 6 plates
The last apples were painted in the 1930s by Arnold, Steadman, J. Marion Shull and L. C. C. Krieger as the programme wound down; the collection closes in 1942.
Blenheim Orange · Cox Orange · Doyle · Earlham · Landakergska · Malinda
Undated · 5 plates
Coxs Orange Pippin · Givens · Nusia · Rouge Der Laudel · Winter John
Plates per year
Sources & citation
- USDA Pomological Watercolor Collection — National Agricultural Library (the originals, with catalogue records)
- USDA Pomological Watercolor Collection — finding aid (NAL ArchivesSpace MS0184)
- White, J. & Neumann, A. (1982), 'The collection of pomological watercolors at the U.S. National Arboretum', Huntia 4(2): 103–124
- Pomological Watercolor Collection — Wikipedia
- The collection on Wikimedia Commons
The original watercolours are in the public domain. The restorations shown here are Madten’s, at web resolution. 5 plates carry no year on the record. To cite this page: Madten, “Every Apple the USDA Painted, 1888–1939,” https://www.madten.com/reference/usda-apple-watercolors, 2026-10-29.
