Venus and Mars
c. 1485 · Tempera and oil on poplar panel · National Gallery, London
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About this work
- Artist
- Sandro Botticelli (c. 1445–1510)
- Year
- c. 1485
- Medium
- Tempera and oil on poplar panel
- Original size
- 69.2 × 173.4 cm
- Collection
- National Gallery, London
- Movement
- Renaissance
Venus, awake and fully dressed in white and gold, reclines on the left and watches Mars, who lies asleep and nearly naked on the right, while infant satyrs play with his lance and helmet and one blows a conch in his ear without waking him. The grove is myrtle, sacred to Venus, and a swarm of wasps hovers by Mars's head near a nest in the tree; Ernst Gombrich suggested the wasps point to the Vespucci family, whose name means little wasps, as possible patrons. Botticelli painted the long panel in Florence in about 1485, and its shape suggests it was set into furniture or panelling in a bedroom, probably to mark a marriage. It is usually read as an allegory of love overcoming war, with learned allusions perhaps worked out with the Medici poet Poliziano. The date rests on style alone; it follows Primavera and comes close to The Birth of Venus. It has been in the National Gallery, London, since 1874.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
A reclining Venus in white and gold facing a sleeping Mars, with playful satyrs in a dark green grove, a long frieze for above a sofa or bed at 36×24 in natural wood. A soft green, blush or warm white wall; it pairs with The Birth of Venus.
Style, size & framing detail
- Style
- Renaissance painting
- Era
- 15th century (c. 1485)
- Orientation
- Landscape
- Mood
- grand
- Rooms
- living room, dining room
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 36×24. Prints at 18×12, 24×16, 36×24 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard; 36×24 as the statement piece above a sofa or headboard.
Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; natural wood lightens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Venus and Mars in the public domain?
What is it printed on?
When was Venus and Mars painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.
























