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Fine art · full-bleed

Aoi Slope outside Toranomon Gate

Utagawa Hiroshige

1857 · Woodblock print; ink and color on paper · Library of Congress, Washington, DC

MaterialHeavyweight matte paper

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Aoi Slope outside Toranomon Gate (Full)

Yatsukōji, Inside Sujikai Gate (Full)

In the Akiba Shrine at Ukeji (Full)

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

Choose different prints →

Giclée-printed to order on heavyweight matte fine-art paper

Free shipping worldwide · arrives in 4–9 business days

Arrives perfect or we reprint it — free

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1857
Medium: Woodblock print; ink and color on paper
Original size: 36.3 × 24.1 cm
Collection: Library of Congress, Washington, DC (impression LC-DIG-jpd-02951; many other impressions exist)
Movement: Ukiyo-e
Series: One Hundred Famous Views of Edo

Under a crescent moon on a cold winter night, two young men in loincloths carrying paper lanterns hurry up the Aoi slope in the foreground, while a noodle seller waits by his stall and a pair of white dogs sits on the road. Behind them a broad sheet of water spills over a weir from the reservoir, and the dark wall of the castle rises above. The print is number one hundred and thirteen in One Hundred Famous Views of Edo, published by Uoya Eikichi, with a censor's seal of the eleventh month of 1857. The lightly clad figures are on a midwinter pilgrimage, made at night as an act of devotion despite the cold. The night is printed in deep blue-black with the moon and stars left pale; impressions vary in colour and condition.

This full-bleed edition prints the work edge to edge from a high-resolution scan of the original, very slightly cropped (a few percent at most) to fit the sheet. The gallery edition shows the whole work, uncropped. The original is in the public domain.

Where it works

Deep night blue with warm lantern light and a pale weir, for a study, den or hallway at 24×36 in black. It pairs with Fireworks by Ryōgoku Bridge for two night scenes.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (1857)
Orientation: Portrait
Palette: cornflower blue
Mood: classic
Rooms: hallway or entryway, study or library, living room, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Printed edge to edge: a slim black or natural wood frame right to the image, or let the canvas wrap do the framing. Also available gallery-wrapped on canvas, ready to hang with no frame.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original plate — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Also available as gallery-wrapped canvas — ready to hang, no frame needed • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

Very slightly cropped. This full-bleed edition prints the painting edge to edge, so a thin sliver, a few percent at most, is trimmed from two opposite edges to fit the print size. We only offer it on paintings whose proportions already come that close to the sheet. For the whole painting, uncropped, choose the gallery edition.

Is Aoi Slope outside Toranomon Gate in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Library of Congress.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Aoi Slope outside Toranomon Gate painted, and in what medium?

Aoi Slope outside Toranomon Gate dates from 1857 and was made in woodblock print; ink and color on paper; the original measures 36.3 × 24.1 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Aoi Slope outside Toranomon Gate we'd choose 24×36.

About this design

Aoi Slope outside Toranomon Gate (Utagawa Hiroshige) — the painting printed edge to edge, very slightly cropped to fit the sheet. Aoi Slope outside Toranomon Gate, One Hundred Famous Views of Edo · Utagawa Hiroshige · 1857. This is a fine-art reproduction of a public-domain masterwork, printed edge to edge, very slightly cropped to fit the sheet, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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