The Ambassadors
1533 · Oil on oak · National Gallery, London
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About this work
- Artist
- Hans Holbein the Younger (1497–1543)
- Year
- 1533
- Medium
- Oil on oak
- Original size
- 207 × 209 cm
- Collection
- National Gallery, London
- Movement
- Northern Renaissance
Two young Frenchmen stand life-size on either side of a two-tiered stand: on the left Jean de Dinteville, the French ambassador to England, in a pink satin doublet and a black coat lined with lynx fur, and on the right his friend Georges de Selve, Bishop of Lavaur, in a dark robe. The upper shelf holds a celestial globe and instruments for measuring the heavens and time; the lower holds a terrestrial globe, a lute with a broken string, a case of flutes and a hymnbook open at Lutheran hymns, objects often read as references to the religious discord of the time. Across the floor in the foreground lies a distorted skull, painted in anamorphic perspective so that it resolves only when seen from the side, and a small crucifix is half hidden behind the green curtain at the top left. Holbein painted it in London in 1533, the year Elizabeth I was born. The sitters were identified by Mary Hervey in 1900. It has been in the National Gallery, London, since 1890 and was restored in 1997.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
Two life-size men in black fur and pink satin before an emerald curtain, globes, a lute and instruments between them, for a study, library or living room at 24×36 in black. A deep green, charcoal or warm stone wall; it pairs with Las Meninas.
Style, size & framing detail
- Style
- Northern Renaissance painting
- Era
- 16th century (1533)
- Orientation
- Portrait
- Mood
- intimate
- Rooms
- living room, study or library, dining room
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; natural wood lightens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is The Ambassadors in the public domain?
What is it printed on?
When was The Ambassadors painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.





















