Sir Thomas More
1527 · Oil on oak panel · The Frick Collection, New York
📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.
About this work
- Artist
- Hans Holbein the Younger (1497–1543)
- Year
- 1527
- Medium
- Oil on oak panel
- Original size
- 74.9 × 60.3 cm
- Collection
- The Frick Collection, New York
- Movement
- Northern Renaissance
Thomas More, lawyer, scholar and royal councillor, sits half-length before a green curtain in a black coat with fur collar and deep red velvet sleeves, holding a folded paper; across his shoulders lies the gold collar of SS, the Tudor livery chain marking his service to the king, with a Tudor rose pendant. Holbein painted the panel in London in 1527, during his first stay in England, which he began with a letter of recommendation from Erasmus to More, in whose circle he was welcomed. The portrait is unsparing in detail, down to the stubble on More's chin. More rose to become Lord Chancellor in 1529, refused to accept Henry VIII as head of the English Church, and was executed in 1535; he was canonised in 1935. A related drawing is in the Royal Collection, and a copy hangs in the National Portrait Gallery, London. Holbein's portrait of More's whole family is lost. Henry Clay Frick bought this panel in 1912, and it hangs in the Frick Collection in New York.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
A thoughtful statesman in black fur and deep red velvet with a gold chain against a green curtain, for a study, library or home office at 24×36 in black. A deep green, oxblood or charcoal wall; it pairs with Portrait of Pope Innocent X.
Style, size & framing detail
- Style
- Northern Renaissance painting
- Era
- 16th century (1527)
- Orientation
- Portrait
- Mood
- intimate
- Rooms
- study or library, home office, living room, dining room
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; natural wood lightens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Sir Thomas More in the public domain?
What is it printed on?
When was Sir Thomas More painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.





















