Four Seasons in One Head
c. 1590 · Oil on panel · National Gallery of Art, Washington, DC
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About this work
- Artist
- Giuseppe Arcimboldo (1527–1593)
- Year
- c. 1590
- Medium
- Oil on panel
- Original size
- 60.4 × 44.7 cm
- Collection
- National Gallery of Art, Washington, DC
- Movement
- Renaissance
A head in profile is formed from a dead, gnarled tree stump with peeling bark and a broken branch for the nose, crowned with grapes, apples, ivy and cherries, and wrapped at the base in a straw mat stuck with roses and wheat, so that winter, summer, spring and autumn all appear in one figure. Arcimboldo signed it ARCIMBOLDUS F on a branch at the upper right. He painted it late in life, in about 1590, after returning to Milan, for his friend the writer Gregorio Comanini, who described it in his treatise on painting, Il Figino, published in 1591; it is sometimes taken as a reflective self-portrait of the ageing artist. Recorded in Verona in 1656, the panel was then lost to sight until 2006, when it was rediscovered in a private collection in England, where it had been since the early twentieth century. The National Gallery of Art in Washington acquired it in 2010 and showed it in its Arcimboldo exhibition that year.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
A gnarled tree-stump head crowned with grapes and red apples, wrapped in straw and roses against dark brown, for a study, kitchen or hallway at 16×24 in black. A sage, warm grey or deep green wall; it pairs with The Seasons.
Style, size & framing detail
- Style
- Renaissance painting
- Era
- 16th century (c. 1590)
- Orientation
- Portrait
- Mood
- grand
- Rooms
- kitchen, hallway or entryway, study or library, living room, dining room
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; natural wood lightens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Four Seasons in One Head in the public domain?
What is it printed on?
When was Four Seasons in One Head painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.





















