Fushimi: Travellers Resting under a Great Tree
c. 1835–38 · Woodblock print; ink and colour on paper · National Diet Library, Tokyo
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This print
About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- c. 1835–38
- Medium
- Woodblock print; ink and colour on paper
- Original size
- approx. 23 × 35 cm (horizontal ōban)
- Collection
- National Diet Library, Tokyo (impression pid 1306245, call no. 寄別2-2-1-5; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Sixty-nine Stations of the Kisokaidō
Travellers rest in the shade of an enormous tree beside the road: one sleeps on the grass and two sit eating from bowls. In front, porters pass carrying long poles in orange covers, a woman with a parasol stands at the left, and a group in blue with an umbrella and staffs gathers at the right, with flat green fields stretching to a low grey mountain. This is print fifty-one of The Sixty-nine Stations of the Kisokaidō, published by Hōeidō and later Kinjudō, c. 1835–38. Keisai Eisen began the series and Utagawa Hiroshige, who designed this sheet, completed it. Fushimi was the fiftieth station on the Nakasendō, the inland road from Edo to Kyoto; the English title is descriptive, and impressions vary in colour and condition.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
A great brown tree and dark green canopy over green fields, with figures in indigo and orange, for a living room, study or home office at 24×16 in natural wood. It pairs with Samegai: Travellers by a Great Pine for two roadside halts under big trees.
Style, size & framing detail
- Style
- Ukiyo-e painting
- Era
- 19th century (c. 1835–38)
- Orientation
- Landscape
- Palette
- cornflower blue
- Mood
- calm
- Rooms
- living room, study or library, home office, dining room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.
Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Fushimi: Travellers Resting under a Great Tree in the public domain?
What is it printed on?
When was Fushimi: Travellers Resting under a Great Tree painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.
