Nihonbashi: Clearing after Snow

Utagawa Hiroshige

1856 · Woodblock print; ink and color on paper · Library of Congress, Washington, DC

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Nihonbashi: Clearing after Snow

Bikuni Bridge in Snow

Nihonbashi Bridge and Edobashi Bridge

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

Choose different prints →

Giclée-printed to order on heavyweight matte fine-art paper

Free shipping worldwide · arrives in 4–9 business days

Arrives perfect or we reprint it — free

Secure checkout via Stripe

About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1856
Medium: Woodblock print; ink and color on paper
Original size: 36.3 × 24.1 cm
Collection: Library of Congress, Washington, DC (impression LC-DIG-jpd-02946; many other impressions exist)
Movement: Ukiyo-e
Series: One Hundred Famous Views of Edo

Seen from high above, the arched wooden Nihonbashi bridge crosses a deep blue river crowded with cargo boats, every roof along the banks still white with fresh snow. Beyond the warehouses the city fades into pink mist, with the castle grounds on the right and a snow-covered Fuji rising at the upper left. This is the opening print of One Hundred Famous Views of Edo, issued by the publisher Uoya Eikichi, and the censor's seal dates the design to the fifth month of 1856. Nihonbashi was the starting point of the great highways out of Edo, and the busy riverfront at the lower right was the city's fish market. The sky is printed with graded bokashi bands of blue and red, a device Hiroshige uses throughout the series; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Snow-white rooftops, deep river blue and a soft pink sky, for a living room, entrance hall or study at 24×36 in black. It pairs naturally with Bikuni Bridge in Snow as a pair of winter views of the city.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (1856)
Orientation: Portrait
Palette: cornflower blue
Mood: classic
Rooms: living room, study or library, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Nihonbashi: Clearing after Snow in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Library of Congress.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Nihonbashi: Clearing after Snow painted, and in what medium?

Nihonbashi: Clearing after Snow dates from 1856 and was made in woodblock print; ink and color on paper; the original measures 36.3 × 24.1 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Nihonbashi: Clearing after Snow we'd choose 24×36.

About this design

Nihonbashi: Clearing after Snow (Utagawa Hiroshige) — Nihonbashi: Clearing after Snow, One Hundred Famous Views of Edo · Utagawa Hiroshige · 1856. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

Secure checkout. Payments handled by Stripe; we never see or store your card.

Also available as