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The Great Day of His Wrath

John Martin

1851–1853 · Oil on canvas · Tate Britain, London

Size3:2 ratio
Frame
$39Unframed print · made to order

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Complete the setHangs well with these two
3 × $39 at 18 × 12 in, unframed = $117 → $105.30 as a set · 10% included · free shipping
Giclée-printed to order on heavyweight matte fine-art paper
Ships worldwide in 3–6 business days after production
Arrives perfect or we reprint it — free
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About this work

Artist
John Martin (1789–1854)
Year
1851–1853
Medium
Oil on canvas
Original size
196.5 × 303.2 cm
Collection
Tate Britain, London
Movement
Romanticism

Mountains are torn up and a whole city, towers and all, is flung upside down into a chasm as lightning splits a blood-red sky and tiny figures tumble into the abyss. Martin painted this apocalypse between 1851 and 1853 as the centre of his final triptych on the Last Judgement, with The Plains of Heaven and The Last Judgement, all now at Tate Britain. It follows the sixth chapter of Revelation, with its earthquake and darkened sun. His son Leopold said the idea came to his father on a night journey through the fires of the Black Country, and some have read the collapsing city as Edinburgh with its castle rock; the connections remain debated. Three metres wide, it was built for crowds and spectacle. The three canvases are reunited at Tate Britain.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Mountains torn up and a city flung into a chasm under a blood-red sky, built for spectacle, for a den, study or cinema room at 18×12 in black. A charcoal, deep red or navy wall; it reads across a room and hangs alone.

Style
Romanticism painting
Era
19th century (1851–1853)
Orientation
Landscape
Mood
grand
Rooms
living room, dining room
Good gift for
housewarming, art lovers

Size. Prints at 18×12 in — 18×12 for a shelf, desk or a gallery-wall grid.

Framing. Printed edge to edge: a slim black or natural oak frame right to the image, or let the canvas wrap do the framing.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials
• Restored in-house from the original plate — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12 in; 18×12 also available framed in black or natural wood • Made to order; colours may vary slightly from screen
Shipping & returns
Produced in 2–4 business days, then shipped from the facility nearest you. Delivery is typically 3–6 business days (US/UK/EU) and 5–12 worldwide. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →
Is this the whole painting, or a crop?
The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.
Is The Great Day of His Wrath in the public domain?
Yes. John Martin (1789–1854) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Tate Britain.
What is it printed on?
Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; the two larger sizes are also offered framed. Colours are matched to the scan, not brightened.
When was The Great Day of His Wrath painted, and in what medium?
The Great Day of His Wrath dates from 1851–1853 and was made in oil on canvas; the original measures 196.5 × 303.2 cm.
What size works above a sofa or bed?
For a standard three-seat sofa or a queen bed, 24×36 inches reads as a single statement piece; 16×24 suits a narrower wall or a pairing. The print's proportions follow the original, so a landscape-format painting is wider than it is tall.
About this design
The Great Day of His Wrath (John Martin) — the painting printed edge-to-edge at its own proportions. The Great Day of His Wrath · John Martin · 1851–1853. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Three sizes (12×18, 16×24, 24×36 in); the 16×24 and 24×36 are also offered framed. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.
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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.
Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.
Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in ~4–8 business days.
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Also available as

An exhibition poster

The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.

Exhibition posterThe Great Day of His Wrath — Exhibition Poster — framed in a gallery setting
The Great Day of His Wrath — Exhibition Poster
John Martin
from $39 · free shipping
Also available as

A fine-art print

The same artwork as a clean fine-art print — the image shown large with a minimal caption.

Fine artThe Great Day of His Wrath — framed in a gallery setting
The Great Day of His Wrath
John Martin
from $39 · free shipping
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