Summer
1563 · Oil on limewood · Kunsthistorisches Museum, Vienna
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About this work
- Artist
- Giuseppe Arcimboldo (1527–1593)
- Year
- 1563
- Medium
- Oil on limewood
- Original size
- 67 × 50.8 cm
- Collection
- Kunsthistorisches Museum, Vienna
- Movement
- Renaissance
- Series
- The Four Seasons (1563)
A head in profile facing right is built entirely from summer produce: cherries line the hair and form the upper lip, a peach makes the cheek, a cucumber the nose, a pea pod the teeth, an aubergine the ear, an ear of wheat the brow, while a garlic bulb, corn cob, plums, grapes and berries crown the head and an artichoke sprouts from the chest. The figure wears a coat of woven straw, into which Arcimboldo cleverly worked his signature and the date 1563. Arcimboldo had been court painter to the Habsburgs in Vienna since 1562, admired also as a designer of court festivals and tournaments, and the Seasons series he painted in 1563 founded his lasting fame. The heads were meant both to amuse and to flatter, presenting the abundance of nature as serving the imperial house; a poem by Giovanni Battista Fonteo set out their allegory. Of the original 1563 series only Summer and Winter survive, and both are in the Kunsthistorisches Museum, Vienna.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
A profile head made of cherries, peaches, corn, garlic and wheat in a straw coat against near-black, playful and rich, for a kitchen, dining room or family room at 16×24 in natural wood. A sage, mustard or warm white wall; it pairs with Basket of Fruit.
Style, size & framing detail
- Style
- Exhibition poster of a Renaissance painting
- Era
- 16th century (1563)
- Orientation
- Portrait
- Palette
- cream & beige
- Mood
- grand
- Rooms
- kitchen, dining room, living room, dorm room, hallway or entryway
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Summer in the public domain?
What is it printed on?
When was Summer painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.
The full-bleed edition
The same plate printed edge-to-edge, filling the whole sheet — bold and immersive.

























