The Harvesters
1565 · Oil on oak panel · The Metropolitan Museum of Art, New York
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About this work
- Artist
- Pieter Bruegel the Elder (1525–1569)
- Year
- 1565
- Medium
- Oil on oak panel
- Original size
- 119 × 162 cm
- Collection
- The Metropolitan Museum of Art, New York
- Movement
- Northern Renaissance
- Series
- The Seasons (1565)
Peasants cut and stack golden wheat on a hillside on a hot day in late summer; in the foreground a group eats bread, porridge and pears under a pear tree while a man sleeps beside them, and the land falls away past a village, a church and a pond with bathers to a hazy bay with ships. Bruegel painted the panel in Antwerp in 1565 as part of a series of six on the times of the year, commissioned by the merchant banker Nicolaes Jonghelinck for his house. Five survive: The Gloomy Day, The Hunters in the Snow and The Return of the Herd in Vienna, Haymaking in Prague and this one. In 1594 the city of Antwerp gave the set to Archduke Ernst, Governor of the Netherlands; the set is believed to have passed to Emperor Rudolf II the following year. The focus on ordinary work rather than a religious story makes it an important early landscape. The Metropolitan Museum of Art bought it in 1919.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
Golden wheat fields under a hot pale sky with resting harvesters under a pear tree and a hazy bay beyond, for a kitchen, dining room or living room at 24×36 in natural wood. An ochre, cream or sage wall; it pairs with The Hunters in the Snow.
Style, size & framing detail
- Style
- Exhibition poster of a Northern Renaissance painting
- Era
- 16th century (1565)
- Orientation
- Portrait
- Palette
- cream & beige
- Mood
- calm
- Rooms
- living room, kitchen, dining room, dorm room, hallway or entryway
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is The Harvesters in the public domain?
What is it printed on?
When was The Harvesters painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.





























