Melencolia I
1514 · Engraving · National Gallery of Art, Washington, DC
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About this work
- Artist
- Albrecht Dürer (1471–1528)
- Year
- 1514
- Medium
- Engraving
- Original size
- 24.2 × 18.8 cm
- Collection
- National Gallery of Art, Washington, DC
- Movement
- Northern Renaissance
- Series
- Meisterstiche (Master Engravings)
A heavy winged woman sits with her head in her hand and a compass idle in her lap, staring past a scatter of tools: a plane, a saw, nails, a sphere, a large truncated stone polyhedron and a sleeping dog, while a small winged child scribbles beside her. On the wall behind hang scales, an hourglass, a bell and a magic square whose rows and columns all add up to 34, with the date 1514 in its bottom row; a ladder leads out of the picture, and in the sky a comet and a rainbow light a bat-like creature carrying a banner with the title. Dürer engraved the plate in Nuremberg in 1514, and it is grouped with Knight, Death and the Devil and Saint Jerome in His Study, all the same size, as his three Master Engravings. No interpretation has been settled; the best known, Erwin Panofsky's, reads it as the melancholy of the creative mind that cannot act on what it imagines. This impression, signed with his monogram and dated in the plate, is in the National Gallery of Art in Washington.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
A brooding winged figure among tools, a polyhedron and a magic square in fine black engraved line on cream, for a study, library or home office at 16×24 in black. A white, warm grey or deep green wall; it pairs with The Astronomer.
Style, size & framing detail
- Style
- Northern Renaissance painting
- Era
- 16th century (1514)
- Orientation
- Portrait
- Mood
- grand
- Rooms
- study or library, home office, living room, dining room
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway.
Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; natural wood lightens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Melencolia I in the public domain?
What is it printed on?
When was Melencolia I painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.



























