Hodogaya: Shinmachi Bridge
1833–34 · Woodblock print; ink and colour on paper · Cooper Hewitt, Smithsonian Design Museum, New York
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This print
About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- 1833–34
- Medium
- Woodblock print; ink and colour on paper
- Original size
- 24 × 36.5 cm
- Collection
- Cooper Hewitt, Smithsonian Design Museum, New York (impression 1948-134-5; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Fifty-three Stations of the Tōkaidō
Travellers in wide straw hats carry a palanquin over the Shinmachi Bridge, a wooden span with red rails, into a village of thatched teahouses roofed in orange and grey. Tall trees rise behind the houses, a rounded wooded hill fills the middle distance, and at the left the land opens out to fields and low blue hills under a band of orange sky. The print is number five in the Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. Hodogaya was the fourth station, and the Shinmachi Bridge carried the road over the Katabira River at the entrance to the town; impressions vary in colour and condition.
This full-bleed edition prints the work edge to edge from a high-resolution scan of the original, very slightly cropped (a few percent at most) to fit the sheet. The gallery edition shows the whole work, uncropped. The original is in the public domain.
Where it works
Warm orange roofs, red bridge rails and soft river blue, for a hallway, kitchen or living room at 24×16 in natural wood. It pairs with Hokusai's Hodogaya on the Tōkaidō for two views of the same station a few years apart.
Style, size & framing detail
- Style
- Ukiyo-e painting
- Era
- 19th century (1833–34)
- Orientation
- Landscape
- Palette
- cornflower blue
- Mood
- calm
- Rooms
- living room, kitchen, hallway or entryway, dining room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.
Framing. Printed edge to edge: a slim black or natural wood frame right to the image, or let the canvas wrap do the framing. Also available gallery-wrapped on canvas, ready to hang with no frame.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Hodogaya: Shinmachi Bridge in the public domain?
What is it printed on?
When was Hodogaya: Shinmachi Bridge painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.
