Inari Bridge and the Minato Shrine in Teppōzu

Utagawa Hiroshige

1857 · Woodblock print; ink and color on paper · Library of Congress, Washington, DC

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Inari Bridge and the Minato Shrine in Teppōzu

Bamboo Quay by Kyōbashi Bridge

Bikuni Bridge in Snow

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1857
Medium: Woodblock print; ink and color on paper
Original size: 36.3 × 24.1 cm
Collection: Library of Congress, Washington, DC (impression LC-DIG-jpd-02926; many other impressions exist)
Movement: Ukiyo-e
Series: One Hundred Famous Views of Edo

The tall masts and rigging of a cargo ship rise through the whole height of the sheet in the foreground, and between them we look across the water to the arched Inari bridge, white storehouses, the red fence of the Minato shrine and a white Fuji beyond. Boats loaded with goods crowd the canal below. The print is number seventy-seven in One Hundred Famous Views of Edo, published by Uoya Eikichi, with a censor's seal of the second month of 1857. Teppōzu was the harbour district at the mouth of the Hatchōbori canal, where coastal cargo ships anchored and unloaded. The masts act as a frame within the frame; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Warm wooden masts against a peach sky, river blue and a white Fuji, for a study, hallway or home office at 24×36 in natural wood. It pairs with Teppōzu and Tsukiji Monzeki Temple, its neighbour on the same waterfront.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (1857)
Orientation: Portrait
Palette: cornflower blue
Mood: classic
Rooms: hallway or entryway, study or library, home office, living room, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Inari Bridge and the Minato Shrine in Teppōzu in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Library of Congress.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Inari Bridge and the Minato Shrine in Teppōzu painted, and in what medium?

Inari Bridge and the Minato Shrine in Teppōzu dates from 1857 and was made in woodblock print; ink and color on paper; the original measures 36.3 × 24.1 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Inari Bridge and the Minato Shrine in Teppōzu we'd choose 24×36.

About this design

Inari Bridge and the Minato Shrine in Teppōzu (Utagawa Hiroshige) — Inari Bridge and the Minato Shrine in Teppōzu, One Hundred Famous Views of Edo · Utagawa Hiroshige · 1857. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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