Ōkute: Woodcutter by the Great Rocks
c. 1835–38 · Woodblock print; ink and colour on paper · National Diet Library, Tokyo
📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.
This print
About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- c. 1835–38
- Medium
- Woodblock print; ink and colour on paper
- Original size
- approx. 23 × 35 cm (horizontal ōban)
- Collection
- National Diet Library, Tokyo (impression pid 1306242, call no. 寄別2-2-1-5; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Sixty-nine Stations of the Kisokaidō
A man in blue climbs a sunken path between green banks, bent under a towering load of brushwood, with a second woodcutter just behind him. At the left a yellow-green hill is broken by great grey rock slabs topped with pines, and beyond it a dark blue band of distant hills and a few flat-topped trees stand under a yellow sky, with two small birds in flight. This is print forty-eight of The Sixty-nine Stations of the Kisokaidō, published by Kinjudō (Iseya Rihei), c. 1835–38. Keisai Eisen began the series and Utagawa Hiroshige, who designed this sheet, completed it. Ōkute was the forty-seventh station on the Nakasendō, the inland road from Edo to Kyoto; the English title is descriptive, and impressions vary in colour and condition.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
Lime and deep green hills, grey rock and a warm yellow sky, for a living room, study or home office at 24×16 in black. It pairs with Motoyama: The Propped Pine for two scenes of woodcutters on the Kisokaidō.
Style, size & framing detail
- Style
- Ukiyo-e painting
- Era
- 19th century (c. 1835–38)
- Orientation
- Landscape
- Palette
- cornflower blue
- Mood
- calm
- Rooms
- living room, study or library, home office, dining room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.
Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Ōkute: Woodcutter by the Great Rocks in the public domain?
What is it printed on?
When was Ōkute: Woodcutter by the Great Rocks painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.
