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The White Horse

John Constable

1819 · Oil on canvas · The Frick Collection, New York

Size3:2 ratio
Frame
$79Unframed print · made to order

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Complete the setHangs well with these two
3 × $79 at 36 × 24 in, unframed = $237 → $213.30 as a set · 10% included · free shipping
Giclée-printed to order on heavyweight matte fine-art paper
Ships worldwide in 3–6 business days after production
Arrives perfect or we reprint it — free
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About this work

Artist
John Constable (1776–1837)
Year
1819
Medium
Oil on canvas
Original size
131.4 × 188.3 cm
Collection
The Frick Collection, New York
Movement
Romanticism

A barge carries a tow-horse across the River Stour at Flatford, just below the lock, at the point where the towpath switches banks; the horse stands patiently on the ferry while the bargemen pole across, with farm buildings and summer trees behind. Constable exhibited it at the Royal Academy in 1819, and it marked a turning point: the first of his six-foot canvases of working life on the Stour, a scale normally reserved for history painting, and the first picture to attract real attention and to be set beside Turner by the critics, who found in it nature's portraiture rather than her poetry. It was bought by his friend John Fisher. The Frick Collection in New York acquired it in 1943, and it hangs in the East Gallery.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

A tow-horse crossing the Stour on a barge with farm buildings and summer trees, a wide, settled picture for a living room, dining room or hallway at 36×24 in black. A cream, sage or warm grey wall; it suits rooms with wood and leather.

Style
Romanticism painting
Era
19th century (1819)
Orientation
Landscape
Mood
calm
Rooms
living room, dining room
Good gift for
housewarming, art lovers

Size. Prints at 18×12, 24×16, 36×24 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard; 36×24 as the statement piece above a sofa or headboard.

Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; oak lightens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials
• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16, 36×24 in; 18×12 and 24×16 and 36×24 also available framed in black or natural wood • Made to order; colours may vary slightly from screen
Shipping & returns
Produced in 2–4 business days, then shipped from the facility nearest you. Delivery is typically 3–6 business days (US/UK/EU) and 5–12 worldwide. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →
Is this the whole painting, or a crop?
The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.
Is The White Horse in the public domain?
Yes. John Constable (1776–1837) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Frick Collection.
What is it printed on?
Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; the two larger sizes are also offered framed. Colours are matched to the scan, not brightened.
When was The White Horse painted, and in what medium?
The White Horse dates from 1819 and was made in oil on canvas; the original measures 131.4 × 188.3 cm.
What size works above a sofa or bed?
For a standard three-seat sofa or a queen bed, 24×36 inches reads as a single statement piece; 16×24 suits a narrower wall or a pairing. The print's proportions follow the original, so a landscape-format painting is wider than it is tall.
About this design
The White Horse (John Constable) — The White Horse · John Constable · 1819. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Three sizes (12×18, 16×24, 24×36 in); the 16×24 and 24×36 are also offered framed. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.
Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.
Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.
Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in ~4–8 business days.
Secure checkout. Payments handled by Stripe; we never see or store your card.
Also available as

An exhibition poster

The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.

Exhibition posterThe White Horse — Exhibition Poster — framed in a gallery setting
The White Horse — Exhibition Poster
John Constable
from $39 · free shipping
Also available as

The full-bleed edition

The painting printed edge-to-edge at its own proportions, filling the whole sheet — and available on gallery-wrapped canvas.

Fine art · full-bleedThe White Horse (Full) — Full-Bleed Edition — framed in a gallery setting
The White Horse (Full)
John Constable
from $39 · free shipping
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