Kusatsu: Famous Post House
1833–34 · Woodblock print; ink and colour on paper · The Metropolitan Museum of Art, New York
📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.
About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- 1833–34
- Medium
- Woodblock print; ink and colour on paper
- Original size
- 24.1 × 35.6 cm
- Collection
- The Metropolitan Museum of Art, New York (impression JP523; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Fifty-three Stations of the Tōkaidō
Palanquin bearers run across the foreground, some carrying an open palanquin with its passenger and others a large closed one with green screens. Behind them a busy rest house serves customers at long tables under a blue roof, a packhorse is unloaded at the left, and the sign advertises ubagamochi, the rice cakes sold there. The print is number fifty-three in the Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. Kusatsu, the fifty-second station, was where the Nakasendō, the inland mountain road from Edo, joined the Tōkaidō for the final stretch to Kyoto; impressions vary in colour and condition.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Where it works
A pale yellow ground and blue roofs with a bright green palanquin, for a den, home office or study at 24×16 in natural wood. It pairs with Fujieda: Changing Porters and Horses for two scenes of the porters who carried the road's traffic.
Style, size & framing detail
- Style
- Ukiyo-e painting
- Era
- 19th century (1833–34)
- Orientation
- Landscape
- Palette
- cornflower blue
- Mood
- calm
- Rooms
- study or library, home office, living room, dining room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.
Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Kusatsu: Famous Post House in the public domain?
What is it printed on?
When was Kusatsu: Famous Post House painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.





























