The Banquet of Cleopatra (Full)

1743–1744 · Oil on canvas · National Gallery of Victoria, Melbourne

Size2:3 ratio

Frame

$79Unframed print · made to order

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Complete the setHangs well with these two

This print

The Banquet of Cleopatra (Full)

The Return of the Bucintoro to the Molo on Ascension Day (Full)

The Entrance to the Grand Canal, Venice (Full)

3 × $79 at 36 × 24 in, unframed = $237 → $213.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Giovanni Battista Tiepolo (1696–1770)
Year: 1743–1744
Medium: Oil on canvas
Original size: 250.3 × 357.0 cm
Collection: National Gallery of Victoria, Melbourne
Movement: Baroque

Cleopatra, in a white gown and pearls, holds one of her earrings over a glass of vinegar as Mark Antony watches across the table, about to lose their wager over who could stage the more extravagant feast: she will dissolve the pearl and drink it. The story comes from Pliny's Natural History, and Tiepolo set it on a marble terrace among columns and attendants in a theatrical composition that pays open homage to Veronese's great Venetian feasts. He painted it in 1743 to 1744, and it is the first of his three large versions; his modello for it, once owned by Count Algarotti, is in the Musée Cognacq-Jay in Paris, and he returned to the subject in fresco at the Palazzo Labia in Venice. The canvas, more than three and a half metres wide, hung in the Hermitage until the Soviet government sold it in 1932, and it is now in the National Gallery of Victoria in Melbourne.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Details & materials

• Restored in-house from the original plate — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16, 36×24 in; 18×12 and 24×16 and 36×24 also available framed in black or natural wood • Made to order; colours may vary slightly from screen

Shipping & returns

Produced in 2–4 business days, then shipped from the facility nearest you. Delivery is typically 3–6 business days (US/UK/EU) and 5–12 worldwide. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is The Banquet of Cleopatra in the public domain?

Yes. Giovanni Battista Tiepolo (1696–1770) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by National Gallery of Victoria.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; the two larger sizes are also offered framed. Colours are matched to the scan, not brightened.

When was The Banquet of Cleopatra painted, and in what medium?

The Banquet of Cleopatra dates from 1743–1744 and was made in oil on canvas; the original measures 250.3 × 357.0 cm.

What size works above a sofa or bed?

For a standard three-seat sofa or a queen bed, 24×36 inches reads as a single statement piece; 16×24 suits a narrower wall or a pairing. The print's proportions follow the original, so a landscape-format painting is wider than it is tall.

About this design

The Banquet of Cleopatra (Giovanni Battista Tiepolo) — the painting printed edge-to-edge at its own proportions. The Banquet of Cleopatra · Giovanni Battista Tiepolo · 1743–1744. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Three sizes (12×18, 16×24, 24×36 in); the 16×24 and 24×36 are also offered framed. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in ~4–8 business days.

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