Ōmiya: Distant View of Mount Fuji
c. 1835–36 · Woodblock print; ink and colour on paper · National Diet Library, Tokyo
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About this work
- Artist
- Keisai Eisen (1790–1848)
- Year
- c. 1835–36
- Medium
- Woodblock print; ink and colour on paper
- Original size
- approx. 23 × 35 cm (horizontal ōban)
- Collection
- National Diet Library, Tokyo (impression pid 1306250, call no. 寄別2-2-1-5; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Sixty-nine Stations of the Kisokaidō
The white cone of Mount Fuji stands far off across flat, grey-green fields, framed by two slender trees with pale pink foliage. In the foreground an old man and a child with a basket on her back hurry past a small roofed marker stone at the left, stooks of straw stand by the road, and at the right a traveller in a round hat walks behind two bearers carrying a palanquin. This is print five of The Sixty-nine Stations of the Kisokaidō, published by Hōeidō (Takenouchi Magohachi), c. 1835–36. Keisai Eisen, who designed it, began the series and Utagawa Hiroshige completed it. Ōmiya was the fourth station on the Nakasendō, the inland road from Edo to Kyoto; impressions vary in colour and condition.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
A small white Fuji, soft pink trees and grey-green fields under a pale sky, for a bedroom, living room or study at 16×24 in natural wood. It pairs with Kōnosu: Distant View of Mount Fuji from Fukiage, the same mountain seen three stations on.
Style, size & framing detail
- Style
- Exhibition poster of a Ukiyo-e painting
- Era
- 19th century (c. 1835–36)
- Orientation
- Portrait
- Palette
- cream & beige
- Mood
- calm
- Rooms
- living room, bedroom, study or library, dining room, dorm room
- Good gift for
- housewarming, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Ōmiya: Distant View of Mount Fuji in the public domain?
What is it printed on?
When was Ōmiya: Distant View of Mount Fuji painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.
