Minowa, Kanasugi and Mikawashima

Utagawa Hiroshige

1857 · Woodblock print; ink and color on paper · Library of Congress, Washington, DC

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Minowa, Kanasugi and Mikawashima

Kanasugi Bridge and Shibaura

In the Akiba Shrine at Ukeji

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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Arrives perfect or we reprint it — free

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1857
Medium: Woodblock print; ink and color on paper
Original size: 36.3 × 24.1 cm
Collection: Library of Congress, Washington, DC (impression LC-DIG-jpd-02954; many other impressions exist)
Movement: Ukiyo-e
Series: One Hundred Famous Views of Edo

A red-crowned crane swoops down from the top of the sheet with its great white wings spread, while a second crane stands in the marsh below among reeds and pools. Beyond, flat fields and a line of trees stretch to a red horizon, with a bare tree and a few small figures at the right. The print is number one hundred and two in One Hundred Famous Views of Edo, published by Uoya Eikichi, with a censor's seal of the fifth month of 1857. Minowa, Kanasugi and Mikawashima were farming villages north of Edo whose marshes were a winter feeding ground for cranes, protected for the shogun's hunts. The crane's wing, cut so close that it runs off the sheet, is one of Hiroshige's boldest foregrounds; impressions vary in colour and condition.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

White cranes on a pale sky with deep green marsh and a red horizon, for a living room, study or entrance hall at 24×36 in natural wood. It pairs with The Ferry at Sakasai for two prints of white birds on the water.

Style, size & framing detail

Style: Exhibition poster of a Ukiyo-e painting
Era: 19th century (1857)
Orientation: Portrait
Palette: cornflower blue, cream & beige
Mood: calm
Rooms: living room, study or library, dining room, dorm room, hallway or entryway
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Minowa, Kanasugi and Mikawashima in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Library of Congress.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Minowa, Kanasugi and Mikawashima painted, and in what medium?

Minowa, Kanasugi and Mikawashima dates from 1857 and was made in woodblock print; ink and color on paper; the original measures 36.3 × 24.1 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Minowa, Kanasugi and Mikawashima we'd choose 24×36.

About this design

A museum-exhibition poster of Hiroshige's Minowa, Kanasugi and Mikawashima — a crane swooping above another standing in the marsh at Mikawashima — the whole woodblock print shown uncropped beneath gallery typography. Plate 102 of One Hundred Famous Views of Edo, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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