Mortlake Terrace

J. M. W. Turner

1827 · Oil on canvas · National Gallery of Art, Washington, DC

Size2:3 ratio

Frame

$59Unframed print · made to order

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Complete the setHangs well with these two

This print

Mortlake Terrace

Approach to Venice

Dido Building Carthage

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

Ships worldwide in 3–6 business days after production

Arrives perfect or we reprint it — free

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About this work

Artist: J. M. W. Turner (1775–1851)
Year: 1827
Medium: Oil on canvas
Original size: 92.1 × 122.2 cm
Collection: National Gallery of Art, Washington, DC
Movement: Romanticism

The lawn of The Limes, William Moffatt's house at Mortlake on the Thames, seen in late afternoon as the sun sets straight down the river. Two ivy-covered elms frame the view, long shadows stripe the grass, and a gardener's ladder, a hoop, a doll on a red chair and an open portfolio lie where they were dropped by figures gone to watch the Lord Mayor's barge pass. Turner painted it for Moffatt in 1827 and showed it at the Royal Academy that year; it is one of two views of the terrace he made, the other an early-morning scene. The light, built up with heavy impasto where the sun spills over the parapet, reflects the change his first stay in Venice had worked on his vision. Andrew Mellon acquired it in 1920 and gave it to the National Gallery of Art in Washington in 1937.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

A sunlit lawn with long shadows, elms and a dropped doll on a red chair, for a living room, garden-facing hallway or bedroom at 16×24 or 24×36 in black or natural oak. A cream, sage or warm grey wall; it suits late-afternoon light.

Style: Exhibition poster of a Romanticism painting
Era: 19th century (1827)
Orientation: Portrait
Palette: cream & beige
Mood: calm
Rooms: living room, dining room, dorm room, hallway or entryway
Good gift for: housewarming, art lovers

Size. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; 12×18 and 16×24 and 24×36 also available framed in black or natural wood • Made to order; colours may vary slightly from screen

Shipping & returns

Produced in 2–4 business days, then shipped from the facility nearest you. Delivery is typically 3–6 business days (US/UK/EU) and 5–12 worldwide. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Mortlake Terrace in the public domain?

Yes. J. M. W. Turner (1775–1851) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by National Gallery of Art.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; the two larger sizes are also offered framed. Colours are matched to the scan, not brightened.

When was Mortlake Terrace painted, and in what medium?

Mortlake Terrace dates from 1827 and was made in oil on canvas; the original measures 92.1 × 122.2 cm.

What size works above a sofa or bed?

For a standard three-seat sofa or a queen bed, 24×36 inches reads as a single statement piece; 16×24 suits a narrower wall or a pairing. The print's proportions follow the original, so a landscape-format painting is wider than it is tall.

About this design

A museum-exhibition poster of J. M. W. Turner's Mortlake Terrace — Mortlake Terrace — a summer evening on the Thames, the low sun flooding the lime-tree walk with golden light — shown whole and uncropped beneath gallery typography. Light, Storm and Sea: The English Romantic, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Three sizes (12×18, 16×24, 24×36 in); the 16×24 and 24×36 are also offered framed. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in ~4–8 business days.

Secure checkout. Payments handled by Stripe; we never see or store your card.

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