Approach to Venice

J. M. W. Turner

1844 · Oil on canvas · National Gallery of Art, Washington, DC

Size2:3 ratio

Frame

$59Unframed print · made to order

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Complete the setHangs well with these two

This print

Approach to Venice

Venice, from the Porch of Madonna della Salute

Venice: The Dogana and San Giorgio Maggiore

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

Ships worldwide in 3–6 business days after production

Arrives perfect or we reprint it — free

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About this work

Artist: J. M. W. Turner (1775–1851)
Year: 1844
Medium: Oil on canvas
Original size: 62 × 94 cm
Collection: National Gallery of Art, Washington, DC
Movement: Romanticism

A full moon shares the sky with the setting sun as a flotilla of barges and gondolas crosses the lagoon towards Venice, the city a luminous band on the horizon. When Turner showed the painting at the Royal Academy in 1844 he quoted Byron's Childe Harold's Pilgrimage in the catalogue: the moon is up, and yet it is not night; the sun as yet disputes the day with her. It belongs to the group of late Venetian views in which the city served as a pretext for colour and atmosphere, and Ruskin thought it the most perfectly beautiful piece of colour he had ever seen made by human hands. The picture passed through a string of English collections before Andrew Mellon bought it in 1923; it came to the National Gallery of Art in Washington in 1937.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

A full moon and a setting sun over a lagoon of barges, the most purely coloured of the Venice views, for a bedroom, living room or bathroom at 16×24 or 24×36 in natural oak or black. A white, cream or dusty blue wall.

Style: Exhibition poster of a Romanticism painting
Era: 19th century (1844)
Orientation: Portrait
Palette: cream & beige
Mood: calm
Rooms: living room, dining room, dorm room, hallway or entryway
Good gift for: housewarming, art lovers

Size. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; 12×18 and 16×24 and 24×36 also available framed in black or natural wood • Made to order; colours may vary slightly from screen

Shipping & returns

Produced in 2–4 business days, then shipped from the facility nearest you. Delivery is typically 3–6 business days (US/UK/EU) and 5–12 worldwide. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Approach to Venice in the public domain?

Yes. J. M. W. Turner (1775–1851) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by National Gallery of Art.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; the two larger sizes are also offered framed. Colours are matched to the scan, not brightened.

When was Approach to Venice painted, and in what medium?

Approach to Venice dates from 1844 and was made in oil on canvas; the original measures 62 × 94 cm.

What size works above a sofa or bed?

For a standard three-seat sofa or a queen bed, 24×36 inches reads as a single statement piece; 16×24 suits a narrower wall or a pairing. The print's proportions follow the original, so a landscape-format painting is wider than it is tall.

About this design

A museum-exhibition poster of J. M. W. Turner's Approach to Venice — Approach to Venice — the city glimmering on the horizon at sunset as boats cross the lagoon beneath a rising moon — shown whole and uncropped beneath gallery typography. Light, Storm and Sea: The English Romantic, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Three sizes (12×18, 16×24, 24×36 in); the 16×24 and 24×36 are also offered framed. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in ~4–8 business days.

Secure checkout. Payments handled by Stripe; we never see or store your card.

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