The Harvesters

Pieter Bruegel the Elder

1565 · Oil on oak panel · The Metropolitan Museum of Art, New York

Size4:3 ratio

Frame

$79Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

The Harvesters (Full)

Children's Games (Full)

Haymaking (The Hay Harvest)

3 × $79 at 32 × 24 in, unframed = $237 → $213.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Pieter Bruegel the Elder (1525–1569)
Year: 1565
Medium: Oil on oak panel
Original size: 119 × 162 cm
Collection: The Metropolitan Museum of Art, New York
Movement: Northern Renaissance
Series: The Seasons (1565)

Peasants cut and stack golden wheat on a hillside on a hot day in late summer; in the foreground a group eats bread, porridge and pears under a pear tree while a man sleeps beside them, and the land falls away past a village, a church and a pond with bathers to a hazy bay with ships. Bruegel painted the panel in Antwerp in 1565 as part of a series of six on the times of the year, commissioned by the merchant banker Nicolaes Jonghelinck for his house. Five survive: The Gloomy Day, The Hunters in the Snow and The Return of the Herd in Vienna, Haymaking in Prague and this one. In 1594 the city of Antwerp gave the set to Archduke Ernst, Governor of the Netherlands; the set is believed to have passed to Emperor Rudolf II the following year. The focus on ordinary work rather than a religious story makes it an important early landscape. The Metropolitan Museum of Art bought it in 1919.

This full-bleed edition prints the work edge to edge from a high-resolution scan of the original, very slightly cropped (a few percent at most) to fit the sheet. The gallery edition shows the whole work, uncropped. The original is in the public domain.

Where it works

Golden wheat fields under a hot pale sky with resting harvesters under a pear tree and a hazy bay beyond, for a kitchen, dining room or living room at 32×24 in natural wood. An ochre, cream or sage wall; it pairs with The Hunters in the Snow.

Style, size & framing detail

Style: Northern Renaissance painting
Era: 16th century (1565)
Orientation: Landscape
Mood: calm
Rooms: living room, kitchen, dining room
Good gift for: housewarming, art lovers

Size. We'd hang this one at 32×24. Prints at 16×12, 24×18, 32×24 in — 16×12 for a shelf, desk or a gallery-wall grid; 24×18 above a console or sideboard; 32×24 as the statement piece above a sofa or headboard.

Framing. Printed edge to edge: a slim black or natural wood frame right to the image, or let the canvas wrap do the framing.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original plate — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 16×12, 24×18, 32×24 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

Very slightly cropped. This full-bleed edition prints the painting edge to edge, so a thin sliver, a few percent at most, is trimmed from two opposite edges to fit the print size. We only offer it on paintings whose proportions already come that close to the sheet. For the whole painting, uncropped, choose the gallery edition.

Is The Harvesters in the public domain?

Yes. Pieter Bruegel the Elder (1525–1569) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Metropolitan Museum of Art.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 16×12, 24×18 and 32×24 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was The Harvesters painted, and in what medium?

The Harvesters dates from 1565 and was made in oil on oak panel; the original measures 119 × 162 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 32×24 is the size that reads as one statement piece; 24×18 suits a narrower wall or a pair. For The Harvesters we'd choose 32×24. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

The Harvesters (Pieter Bruegel the Elder) — the painting printed edge to edge, very slightly cropped to fit the sheet. The Harvesters · Pieter Bruegel the Elder · 1565. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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