Fujieda: Changing Porters and Horses

Utagawa Hiroshige

1833–34 · Woodblock print; ink and colour on paper · Rijksmuseum, Amsterdam

Size3:2 ratio

Frame

$79Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Fujieda: Changing Porters and Horses

Chiryū: Early Summer Horse Fair

Fujikawa: Scene at the Border

3 × $79 at 36 × 24 in, unframed = $237 → $213.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

Free shipping worldwide · arrives in 4–9 business days

Arrives perfect or we reprint it — free

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1833–34
Medium: Woodblock print; ink and colour on paper
Original size: 24 × 36.1 cm
Collection: Rijksmuseum, Amsterdam (impression AK-MAK-1608; many other impressions exist)
Movement: Ukiyo-e
Series: Fifty-three Stations of the Tōkaidō

Outside the post-station office, porters and packhorses are being changed: men stripped to loincloths wipe away sweat and lift loads onto fresh horses, while officials in dark robes on the raised floor at the right check the paperwork. Bales and boxes lie in the yard, and a horse drinks from a bucket under the trees at the top of the scene. The print is number twenty-three in the Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. Each station on the road kept porters and horses to carry baggage on to the next town, and this is the relay the title describes at Fujieda, the twenty-second station; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Warm cream and yellow ground with figures in grey, black and touches of red, for a study, den or home office at 36×24 in natural wood. It pairs with Seki: Early Departure from the Main Inn for two busy scenes of the road's daily work.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (1833–34)
Orientation: Landscape
Palette: cornflower blue
Mood: calm
Rooms: study or library, home office, living room, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 36×24. Prints at 18×12, 24×16, 36×24 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard; 36×24 as the statement piece above a sofa or headboard.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16, 36×24 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Fujieda: Changing Porters and Horses in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Rijksmuseum.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12, 24×16 and 36×24 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Fujieda: Changing Porters and Horses painted, and in what medium?

Fujieda: Changing Porters and Horses dates from 1833–34 and was made in woodblock print; ink and colour on paper; the original measures 24 × 36.1 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 36×24 is the size that reads as one statement piece; 24×16 suits a narrower wall or a pair. For Fujieda: Changing Porters and Horses we'd choose 36×24. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

Fujieda: Changing Porters and Horses (Utagawa Hiroshige) — Fujieda: Changing Porters and Horses, Fifty-three Stations of the Tōkaidō · Utagawa Hiroshige · 1833–34. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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