Nihonbashi: Morning View

Utagawa Hiroshige

1833–34 · Woodblock print; ink and colour on paper · The Metropolitan Museum of Art, New York

Size3:2 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Nihonbashi: Morning View

Akasaka: Inn with Serving Maids

Arai: Ferryboats

3 × $59 at 24 × 16 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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Arrives perfect or we reprint it — free

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1833–34
Medium: Woodblock print; ink and colour on paper
Original size: 24.1 × 35.2 cm
Collection: The Metropolitan Museum of Art, New York (impression JP471; many other impressions exist)
Movement: Ukiyo-e
Series: Fifty-three Stations of the Tōkaidō

At dawn the wooden gates of the bridge stand open and a daimyo's procession comes over the arched Nihonbashi, led by two tall spears topped with feather plumes and porters carrying red lacquered boxes. In the foreground fishmongers with shoulder poles and baskets crowd toward the market, and a dog trots off at the right, under a peach morning sky banded with blue. This is the opening print of Hiroshige's Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. Nihonbashi in Edo was the official starting point of the Tōkaidō, the highway along the Pacific coast to Kyoto, and the city's fish market lay along the river beside it; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

A peach dawn sky over a pale bridge and a crowd in red, blue and brown, for an entrance hall, study or kitchen at 24×16 in natural wood. It pairs with Kyoto: The Great Bridge at Sanjō as the first and last prints of the journey.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (1833–34)
Orientation: Landscape
Palette: cornflower blue
Mood: classic
Rooms: kitchen, study or library, living room, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Nihonbashi: Morning View in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Metropolitan Museum of Art.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12 and 24×16 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Nihonbashi: Morning View painted, and in what medium?

Nihonbashi: Morning View dates from 1833–34 and was made in woodblock print; ink and colour on paper; the original measures 24.1 × 35.2 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×16 is the size that reads as one statement piece; 18×12 suits a narrower wall or a pair. For Nihonbashi: Morning View we'd choose 24×16. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

Nihonbashi: Morning View (Utagawa Hiroshige) — Nihonbashi: Morning View, Fifty-three Stations of the Tōkaidō · Utagawa Hiroshige · 1833–34. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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