Nihonbashi in Edo

Katsushika Hokusai

c. 1830–1832 · Woodblock print; ink and color on paper · The Metropolitan Museum of Art, New York

Size3:2 ratio

Frame

$59Unframed print · made to order

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Complete the setHangs well with these two

This print

Nihonbashi in Edo (Full)

Shop at Surugachō in Edo (Full)

Surugadai in Edo (Full)

3 × $59 at 24 × 16 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Katsushika Hokusai (1760–1849)
Year: c. 1830–1832
Medium: Woodblock print; ink and color on paper
Original size: 25.4 × 36.8 cm
Collection: The Metropolitan Museum of Art, New York (impression JP1295; many other impressions exist)
Movement: Ukiyo-e
Series: Thirty-six Views of Mount Fuji

A canal lined with white storehouses runs straight into the distance toward Edo Castle, with Mount Fuji rising beyond it, while boats move along the water. Along the bottom of the sheet the crowded Nihonbashi bridge is shown only as a mass of heads and bundles. The print belongs to Hokusai's Thirty-six Views of Mount Fuji, published around 1830–1832 by Nishimuraya Yohachi (Eijudō). Nihonbashi was the heart of Edo, the starting point of the great roads and a busy commercial district. Hokusai's strict perspective of the canal leads the eye from the bustling foreground to the castle and the mountain; impressions vary in colour and condition.

This full-bleed edition prints the work edge to edge from a high-resolution scan of the original, very slightly cropped (a few percent at most) to fit the sheet. The gallery edition shows the whole work, uncropped. The original is in the public domain.

Where it works

Clean white storehouses and pale blue water with a small Fuji, for a hallway, home office or living room at 24×16 in black. It pairs with Hiroshige's Nihonbashi: Clearing after Snow for two views of the same bridge.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (c. 1830–1832)
Orientation: Landscape
Palette: cornflower blue
Mood: classic
Rooms: living room, hallway or entryway, home office, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.

Framing. Printed edge to edge: a slim black or natural wood frame right to the image, or let the canvas wrap do the framing.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original plate — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

Very slightly cropped. This full-bleed edition prints the painting edge to edge, so a thin sliver, a few percent at most, is trimmed from two opposite edges to fit the print size. We only offer it on paintings whose proportions already come that close to the sheet. For the whole painting, uncropped, choose the gallery edition.

Is Nihonbashi in Edo in the public domain?

Yes. Katsushika Hokusai (1760–1849) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Metropolitan Museum of Art.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12 and 24×16 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Nihonbashi in Edo painted, and in what medium?

Nihonbashi in Edo dates from c. 1830–1832 and was made in woodblock print; ink and color on paper; the original measures 25.4 × 36.8 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×16 is the size that reads as one statement piece; 18×12 suits a narrower wall or a pair. For Nihonbashi in Edo we'd choose 24×16. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

Nihonbashi in Edo (Katsushika Hokusai) — the painting printed edge to edge, very slightly cropped to fit the sheet. Nihonbashi in Edo, Thirty-six Views of Mount Fuji · Katsushika Hokusai · c. 1830–1832. This is a fine-art reproduction of a public-domain masterwork, printed edge to edge, very slightly cropped to fit the sheet, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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