Tatekawa in Honjō

Katsushika Hokusai

c. 1830–1832 · Woodblock print; ink and color on paper · The Art Institute of Chicago

Size3:2 ratio

Frame

$79Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Tatekawa in Honjō

The Back of Fuji from the Minobu River

Ejiri in Suruga Province

3 × $79 at 36 × 24 in, unframed = $237 → $213.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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Arrives perfect or we reprint it — free

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About this work

Artist: Katsushika Hokusai (1760–1849)
Year: c. 1830–1832
Medium: Woodblock print; ink and color on paper
Original size: approx. 25.5 × 37.5 cm (ōban)
Collection: The Art Institute of Chicago (impression 1971.502; many other impressions exist)
Movement: Ukiyo-e
Series: Thirty-six Views of Mount Fuji

In a busy lumberyard, a man standing on a tall stack of boards catches pieces of timber tossed up to him from below, while other workers saw and carry planks among bundles of upright poles. Through the forest of tall timbers, a small white Fuji rises in the distance. The print is one of the ten additional views Hokusai added to his Thirty-six Views of Mount Fuji, published around 1830–1832 by Nishimuraya Yohachi (Eijudō). Like the other additional views, it is printed with black outlines rather than the blue outlines of the first thirty-six. The Tatekawa canal in Honjō, on the east side of Edo, was lined with timber merchants; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Warm pale timber and soft blue with a tiny Fuji among the poles, for a study, workshop or home office at 36×24 in natural wood. It pairs with Hiroshige's The Fukagawa Lumberyards for two views of Edo's timber trade.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (c. 1830–1832)
Orientation: Landscape
Palette: cornflower blue
Mood: calm
Rooms: study or library, home office, living room, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 36×24. Prints at 18×12, 24×16, 36×24 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard; 36×24 as the statement piece above a sofa or headboard.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16, 36×24 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Tatekawa in Honjō in the public domain?

Yes. Katsushika Hokusai (1760–1849) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Art Institute of Chicago (impression 1971.502; many other impressions exist).

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12, 24×16 and 36×24 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Tatekawa in Honjō painted, and in what medium?

Tatekawa in Honjō dates from c. 1830–1832 and was made in woodblock print; ink and color on paper; the original measures approx. 25.5 × 37.5 cm (ōban).

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 36×24 is the size that reads as one statement piece; 24×16 suits a narrower wall or a pair. For Tatekawa in Honjō we'd choose 36×24. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

Tatekawa in Honjō (Katsushika Hokusai) — Tatekawa in Honjō, Thirty-six Views of Mount Fuji · Katsushika Hokusai · c. 1830–1832. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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