Tatekawa in Honjō

Katsushika Hokusai

c. 1830–1832 · Woodblock print; ink and color on paper · The Art Institute of Chicago

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Katsushika Hokusai (1760–1849)
Year: c. 1830–1832
Medium: Woodblock print; ink and color on paper
Original size: approx. 25.5 × 37.5 cm (ōban)
Collection: The Art Institute of Chicago (impression 1971.502; many other impressions exist)
Movement: Ukiyo-e
Series: Thirty-six Views of Mount Fuji

In a busy lumberyard, a man standing on a tall stack of boards catches pieces of timber tossed up to him from below, while other workers saw and carry planks among bundles of upright poles. Through the forest of tall timbers, a small white Fuji rises in the distance. The print is one of the ten additional views Hokusai added to his Thirty-six Views of Mount Fuji, published around 1830–1832 by Nishimuraya Yohachi (Eijudō). Like the other additional views, it is printed with black outlines rather than the blue outlines of the first thirty-six. The Tatekawa canal in Honjō, on the east side of Edo, was lined with timber merchants; impressions vary in colour and condition.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

Warm pale timber and soft blue with a tiny Fuji among the poles, for a study, workshop or home office at 24×36 in natural wood. It pairs with Hiroshige's The Fukagawa Lumberyards for two views of Edo's timber trade.

Style, size & framing detail

Style: Exhibition poster of a Ukiyo-e painting
Era: 19th century (c. 1830–1832)
Orientation: Portrait
Palette: cornflower blue, cream & beige
Mood: calm
Rooms: study or library, home office, living room, dining room, dorm room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Tatekawa in Honjō in the public domain?

Yes. Katsushika Hokusai (1760–1849) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Art Institute of Chicago (impression 1971.502; many other impressions exist).

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Tatekawa in Honjō painted, and in what medium?

Tatekawa in Honjō dates from c. 1830–1832 and was made in woodblock print; ink and color on paper; the original measures approx. 25.5 × 37.5 cm (ōban).

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Tatekawa in Honjō we'd choose 24×36.

About this design

A museum-exhibition poster of Hokusai's Tatekawa in Honjō — stacked timber in a lumberyard at Honjo with a workman tossing wood up to another — the whole woodblock print shown uncropped beneath gallery typography. Plate 37 of Thirty-six Views of Mount Fuji, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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