Imasu: The Provincial Boundary
c. 1835–38 · Woodblock print; ink and colour on paper · National Diet Library, Tokyo
📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.
About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- c. 1835–38
- Medium
- Woodblock print; ink and colour on paper
- Original size
- approx. 23 × 35 cm (horizontal ōban)
- Collection
- National Diet Library, Tokyo (impression pid 1306254, call no. 寄別2-2-1-5; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Sixty-nine Stations of the Kisokaidō
Travellers pass a tall wooden post inscribed with the boundary between two provinces, beside a row of thatched shops with lettered signs. A man seated in a doorway lights his pipe from a passer-by's, a traveller in a yellow hat walks toward us and a porter carries two straw bales on a pole. A large tree stands at the right above fields running out to a blue mountain. This is print sixty of The Sixty-nine Stations of the Kisokaidō, published by Hōeidō and later Kinjudō, c. 1835–38. Keisai Eisen began the series and Utagawa Hiroshige, who designed this sheet, completed it. Imasu was the fifty-ninth station on the Nakasendō, the inland road from Edo to Kyoto; the English title is descriptive, and impressions vary in colour and condition.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
Golden thatch, a red-brown road and a deep blue sky with dark green trees, for a hallway, entrance or study at 16×24 in black. It pairs with Fukushima: The Barrier Gate for two crossing points on the road.
Style, size & framing detail
- Style
- Exhibition poster of a Ukiyo-e painting
- Era
- 19th century (c. 1835–38)
- Orientation
- Portrait
- Palette
- cornflower blue, cream & beige
- Mood
- calm
- Rooms
- hallway or entryway, study or library, living room, dining room, dorm room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Imasu: The Provincial Boundary in the public domain?
What is it printed on?
When was Imasu: The Provincial Boundary painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.
