Fine Wind, Clear Morning (Red Fuji)
c. 1830–1832 · Woodblock print (nishiki-e), ink and colour on paper · Impressions in many collections, including the British Museum, the Metropolitan Museum of Art and the Tokyo Fuji Art Museum
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This print
About this work
- Artist
- Katsushika Hokusai (1760–1849)
- Year
- c. 1830–1832
- Medium
- Woodblock print (nishiki-e), ink and colour on paper
- Original size
- approx. 25.7 × 38 cm
- Collection
- Impressions in many collections, including the British Museum, the Metropolitan Museum of Art and the Tokyo Fuji Art Museum
- Movement
- Ukiyo-e
- Series
- Thirty-six Views of Mount Fuji
Mount Fuji fills the sheet as a single russet triangle, its summit streaked with snow, against a blue sky of small white clouds and a dark green band of forest at the base. The Japanese title, Gaifū kaisei, describes the weather: a clear morning with a south wind, when the mountain is said to glow red in the first sun. Hokusai designed it around 1830 to 1832 for Thirty-six Views of Mount Fuji, published by Nishimuraya Yohachi, and it is the simplest print in the series, built from three colours and almost no line. Early impressions show a soft graded red; later ones are flatter and brighter. It is usually paired with the Great Wave as the series' two best-known images.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
Three flat colours and almost no line make this one of the easiest prints to live with: a hallway, kitchen or living room at 16×24 or 24×36 in natural wood. The russet mountain warms a white wall; pair with the Great Wave.
Style, size & framing detail
- Style
- Exhibition poster of a Ukiyo-e painting
- Era
- 19th century (c. 1830–1832)
- Orientation
- Portrait
- Palette
- burgundy, cornflower blue, cream & beige
- Mood
- calm, sophisticated
- Rooms
- living room, kitchen, hallway or entryway, dining room, dorm room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Fine Wind, Clear Morning (Red Fuji) in the public domain?
What is it printed on?
When was Fine Wind, Clear Morning (Red Fuji) painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.
The full-bleed edition
The same plate printed edge-to-edge, filling the whole sheet — bold and immersive.
