Samegai: Travellers by a Great Pine
c. 1835–38 · Woodblock print; ink and colour on paper · National Diet Library, Tokyo
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This print

About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- c. 1835–38
- Medium
- Woodblock print; ink and colour on paper
- Original size
- approx. 23 × 35 cm (horizontal ōban)
- Collection
- National Diet Library, Tokyo (impression pid 1306255, call no. 寄別2-2-1-5; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Sixty-nine Stations of the Kisokaidō
A huge pine rises from a grassy bank in the middle of the road, its branches spreading across a cream sky, with a long covered pole leaning against the trunk. At the left two porters in green walk off with boxes on frames strapped to their backs, past thatched houses, and at the right an old woman sits beside a basket below yellow-green slopes. This is print sixty-two of The Sixty-nine Stations of the Kisokaidō, published by Hōeidō and later Kinjudō, c. 1835–38. Keisai Eisen began the series and Utagawa Hiroshige, who designed this sheet, completed it. Samegai was the sixty-first station on the Nakasendō, the inland road from Edo to Kyoto; the English title is descriptive, and impressions vary in colour and condition.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
A dark pine against a cream sky over yellow-green slopes and a grey road, for a living room, study or hallway at 16×24 in natural wood. It pairs with Fushimi: Travellers Resting under a Great Tree for two halts beneath big trees.
Style, size & framing detail
- Style
- Exhibition poster of a Ukiyo-e painting
- Era
- 19th century (c. 1835–38)
- Orientation
- Portrait
- Palette
- cornflower blue, cream & beige
- Mood
- calm
- Rooms
- living room, hallway or entryway, study or library, dining room, dorm room
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Samegai: Travellers by a Great Pine in the public domain?
What is it printed on?
When was Samegai: Travellers by a Great Pine painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.


























