Nihonbashi Bridge and Edobashi Bridge

Utagawa Hiroshige

1857 · Woodblock print; ink and color on paper · National Diet Library, Tokyo

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Nihonbashi Bridge and Edobashi Bridge

Nihonbashi: Clearing after Snow

View of Nihonbashi Itchōme Street

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

Free shipping worldwide · arrives in 4–9 business days

Arrives perfect or we reprint it — free

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1857
Medium: Woodblock print; ink and color on paper
Original size: approx. 36 × 24 cm (ōban)
Collection: National Diet Library, Tokyo (impression pid 1302094; many other impressions exist)
Movement: Ukiyo-e
Series: One Hundred Famous Views of Edo

A huge bronze-capped post and the cream-coloured railing of the Nihonbashi bridge fill the foreground, cut by the edges of the sheet, and between the rails the view opens downriver to the Edobashi bridge and rows of white warehouses. Boats crowd the water below, and at the bottom edge the rim of a fishmonger's tub is just visible. The print is number forty-three in One Hundred Famous Views of Edo, published by Uoya Eikichi, with a censor's seal of the twelfth month of 1857, and it opens the summer section of the series. Nihonbashi was the heart of the city and the site of its fish market. The extreme close-up of the bridge railing is one of Hiroshige's most daring framings; impressions vary in colour and condition.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

Warm cream and black bridge timbers against a soft blue river and pink sky, for a kitchen, hallway or home office at 16×24 in black. It pairs with Nihonbashi: Clearing after Snow, the opening view of the same bridge.

Style, size & framing detail

Style: Exhibition poster of a Ukiyo-e painting
Era: 19th century (1857)
Orientation: Portrait
Palette: cornflower blue, cream & beige
Mood: classic
Rooms: kitchen, hallway or entryway, home office, living room, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Nihonbashi Bridge and Edobashi Bridge in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by National Diet Library.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Nihonbashi Bridge and Edobashi Bridge painted, and in what medium?

Nihonbashi Bridge and Edobashi Bridge dates from 1857 and was made in woodblock print; ink and color on paper; the original measures approx. 36 × 24 cm (ōban).

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Nihonbashi Bridge and Edobashi Bridge we'd choose 16×24.

About this design

A museum-exhibition poster of Hiroshige's Nihonbashi Bridge and Edobashi Bridge — a basket of bonito carried past the railing of Nihonbashi, Edobashi bridge beyond — the whole woodblock print shown uncropped beneath gallery typography. Plate 43 of One Hundred Famous Views of Edo, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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