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James McNeill Whistler Prints

1834–1903 · American · Aestheticism / Tonalism

Wall art by James McNeill Whistler, restored in-house and printed to order on heavyweight matte fine-art paper.

18 prints · printed to order on heavyweight matte paper · framed or unframed

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Many of these works also come as a gallery print, the whole work on a gallery ground, or come as an exhibition poster. Choose one to see the whole collection that way.

Fine artArrangement in Grey and Black No. 1 (Whistler's Mother) — framed in a gallery setting
Arrangement in Grey and Black No. 1 (Whistler's Mother)
James McNeill Whistler
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Exhibition posterArrangement in Grey and Black No. 1 — Exhibition Poster — framed in a gallery setting
Arrangement in Grey and Black No. 1 — Exhibition Poster
James McNeill Whistler
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Fine artSymphony in White, No. 1: The White Girl — framed in a gallery setting
Symphony in White, No. 1: The White Girl
James McNeill Whistler
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Exhibition posterSymphony in White, No. 1: The White Girl — Exhibition Poster — framed in a gallery setting
Symphony in White, No. 1: The White Girl — Exhibition Poster
James McNeill Whistler
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Fine artNocturne in Black and Gold: The Falling Rocket — framed in a gallery setting
Nocturne in Black and Gold: The Falling Rocket
James McNeill Whistler
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Exhibition posterNocturne in Black and Gold: The Falling Rocket — Exhibition Poster — framed in a gallery setting
Nocturne in Black and Gold: The Falling Rocket — Exhibition Poster
James McNeill Whistler
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Fine artArrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle — framed in a gallery setting
Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle
James McNeill Whistler
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Exhibition posterArrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle — Exhibition Poster — framed in a gallery setting
Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle — Exhibition Poster
James McNeill Whistler
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Fine artRose and Silver: The Princess from the Land of Porcelain — framed in a gallery setting
Rose and Silver: The Princess from the Land of Porcelain
James McNeill Whistler
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Exhibition posterRose and Silver: The Princess from the Land of Porcelain — Exhibition Poster — framed in a gallery setting
Rose and Silver: The Princess from the Land of Porcelain — Exhibition Poster
James McNeill Whistler
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Fine artCaprice in Purple and Gold: The Golden Screen — framed in a gallery setting
Caprice in Purple and Gold: The Golden Screen
James McNeill Whistler
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Exhibition posterCaprice in Purple and Gold: The Golden Screen — Exhibition Poster — framed in a gallery setting
Caprice in Purple and Gold: The Golden Screen — Exhibition Poster
James McNeill Whistler
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Fine artNocturne in Blue and Silver: The Lagoon, Venice — framed in a gallery setting
Nocturne in Blue and Silver: The Lagoon, Venice
James McNeill Whistler
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Exhibition posterNocturne in Blue and Silver: The Lagoon, Venice — Exhibition Poster — framed in a gallery setting
Nocturne in Blue and Silver: The Lagoon, Venice — Exhibition Poster
James McNeill Whistler
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Fine artWapping — framed in a gallery setting
Wapping
James McNeill Whistler
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Exhibition posterWapping — Exhibition Poster — framed in a gallery setting
Wapping — Exhibition Poster
James McNeill Whistler
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Fine artVariations in Flesh Colour and Green: The Balcony — framed in a gallery setting
Variations in Flesh Colour and Green: The Balcony
James McNeill Whistler
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Exhibition posterVariations in Flesh Colour and Green: The Balcony — Exhibition Poster — framed in a gallery setting
Variations in Flesh Colour and Green: The Balcony — Exhibition Poster
James McNeill Whistler
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About James McNeill Whistler

James McNeill Whistler was born in Lowell, Massachusetts, in July 1834, spent part of his boyhood in St Petersburg, where his father was building a railway, and was dismissed from West Point before going to Paris in 1855 to study in the studio of Charles Gleyre. He moved to London in 1859 and lived in Chelsea from 1866, painting the Thames at dusk in the near-monochrome pictures he called Nocturnes and titling his portraits as if they were music. Arrangement in Grey and Black No. 1, the portrait of his mother painted in 1871, was bought by the French state in 1891 and hangs in the Musée d'Orsay. In 1877 the critic John Ruskin accused him of flinging a pot of paint in the public's face over Nocturne in Black and Gold; Whistler sued, won a farthing in damages in November 1878 and was bankrupted by the costs, then went to Venice for fourteen months to make etchings. He signed his work with a butterfly and decorated the Peacock Room for the shipowner Frederick Leyland in 1876 to 1877. He died in London in July 1903. Whistler argued that a painting should be an arrangement of tones before it was a picture of anything, and his quiet greys, blues and golds hang exactly as he intended: as calm.

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