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Exhibition poster

The White Horse

John Constable

1819 · Oil on canvas · The Frick Collection, New York

Size2:3 ratio
Frame
$59Unframed print · made to order

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Complete the setHangs well with these two
3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping
Giclée-printed to order on heavyweight matte fine-art paper
Ships worldwide in 3–6 business days after production
Arrives perfect or we reprint it — free
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About this work

Artist
John Constable (1776–1837)
Year
1819
Medium
Oil on canvas
Original size
131.4 × 188.3 cm
Collection
The Frick Collection, New York
Movement
Romanticism

A barge carries a tow-horse across the River Stour at Flatford, just below the lock, at the point where the towpath switches banks; the horse stands patiently on the ferry while the bargemen pole across, with farm buildings and summer trees behind. Constable exhibited it at the Royal Academy in 1819, and it marked a turning point: the first of his six-foot canvases of working life on the Stour, a scale normally reserved for history painting, and the first picture to attract real attention and to be set beside Turner by the critics, who found in it nature's portraiture rather than her poetry. It was bought by his friend John Fisher. The Frick Collection in New York acquired it in 1943, and it hangs in the East Gallery.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

A tow-horse crossing the Stour on a barge with farm buildings and summer trees, a wide, settled picture for a living room, dining room or hallway at 24×36 in black. A cream, sage or warm grey wall; it suits rooms with wood and leather.

Style
Exhibition poster of a Romanticism painting
Era
19th century (1819)
Orientation
Portrait
Palette
cream & beige
Mood
calm
Rooms
living room, dining room, dorm room, hallway or entryway
Good gift for
housewarming, art lovers

Size. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials
• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; 12×18 and 16×24 and 24×36 also available framed in black or natural wood • Made to order; colours may vary slightly from screen
Shipping & returns
Produced in 2–4 business days, then shipped from the facility nearest you. Delivery is typically 3–6 business days (US/UK/EU) and 5–12 worldwide. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →
Is this the whole painting, or a crop?
The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.
Is The White Horse in the public domain?
Yes. John Constable (1776–1837) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Frick Collection.
What is it printed on?
Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; the two larger sizes are also offered framed. Colours are matched to the scan, not brightened.
When was The White Horse painted, and in what medium?
The White Horse dates from 1819 and was made in oil on canvas; the original measures 131.4 × 188.3 cm.
What size works above a sofa or bed?
For a standard three-seat sofa or a queen bed, 24×36 inches reads as a single statement piece; 16×24 suits a narrower wall or a pairing. The print's proportions follow the original, so a landscape-format painting is wider than it is tall.
About this design
A museum-exhibition poster of John Constable's The White Horse — The White Horse — a barge-horse ferried across the Stour at Flatford, the quiet river reflecting the summer sky — shown whole and uncropped beneath gallery typography. The English Landscape, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Three sizes (12×18, 16×24, 24×36 in); the 16×24 and 24×36 are also offered framed. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.
Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.
Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.
Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in ~4–8 business days.
Secure checkout. Payments handled by Stripe; we never see or store your card.
Also available as

A fine-art print

The same artwork as a clean fine-art print — the image shown large with a minimal caption.

Fine artThe White Horse — framed in a gallery setting
The White Horse
John Constable
from $39 · free shipping
Also available as

The full-bleed edition

The same plate printed edge-to-edge, filling the whole sheet — bold and immersive.

Fine art · full-bleedThe White Horse (Full) — Full-Bleed Edition — framed in a gallery setting
The White Horse (Full)
John Constable
from $39 · free shipping
Related collections
Romantic PaintingsFamous Landscape PaintingsExhibition PostersFamous Painting PrintsLiving Room Wall Art & PrintsLarge & Oversized Prints (24×36)All collections →
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