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John Constable Prints

1776–1837 · English · Romanticism

Wall art by John Constable, restored in-house and printed to order on heavyweight matte fine-art paper.

23 prints · printed to order on heavyweight matte paper · framed or unframed

Fine artThe Hay Wain — framed in a gallery setting
The Hay Wain
John Constable
from $39 · free shipping
Fine art · full-bleedThe Hay Wain (Full) — Full-Bleed Edition — framed in a gallery setting
The Hay Wain (Full)
John Constable
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Exhibition posterThe Hay Wain — Exhibition Poster — framed in a gallery setting
The Hay Wain — Exhibition Poster
John Constable
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Fine artWivenhoe Park, Essex — framed in a gallery setting
Wivenhoe Park, Essex
John Constable
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Exhibition posterWivenhoe Park, Essex — Exhibition Poster — framed in a gallery setting
Wivenhoe Park, Essex — Exhibition Poster
John Constable
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Fine artSalisbury Cathedral from the Meadows — framed in a gallery setting
Salisbury Cathedral from the Meadows
John Constable
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Exhibition posterSalisbury Cathedral from the Meadows — Exhibition Poster — framed in a gallery setting
Salisbury Cathedral from the Meadows — Exhibition Poster
John Constable
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Fine artSalisbury Cathedral from the Bishop's Grounds — framed in a gallery setting
Salisbury Cathedral from the Bishop's Grounds
John Constable
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Exhibition posterSalisbury Cathedral from the Bishop's Grounds — Exhibition Poster — framed in a gallery setting
Salisbury Cathedral from the Bishop's Grounds — Exhibition Poster
John Constable
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Fine artStratford Mill — framed in a gallery setting
Stratford Mill
John Constable
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Fine art · full-bleedStratford Mill (Full) — Full-Bleed Edition — framed in a gallery setting
Stratford Mill (Full)
John Constable
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Exhibition posterStratford Mill — Exhibition Poster — framed in a gallery setting
Stratford Mill — Exhibition Poster
John Constable
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Fine artHadleigh Castle, The Mouth of the Thames — Morning after a Stormy Night — framed in a gallery setting
Hadleigh Castle, The Mouth of the Thames
John Constable
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Fine art · full-bleedHadleigh Castle, The Mouth of the Thames (Full) — Morning after a Stormy Night — Full-Bleed Edition — framed in a gallery setting
Hadleigh Castle, The Mouth of the Thames (Full)
John Constable
from $39 · free shipping
Exhibition posterHadleigh Castle, The Mouth of the Thames — Morning after a Stormy Night — Exhibition Poster — framed in a gallery setting
Hadleigh Castle, The Mouth of the Thames — Morning after a Stormy Night — Exhibition Poster
John Constable
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Fine artThe White Horse — framed in a gallery setting
The White Horse
John Constable
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Fine art · full-bleedThe White Horse (Full) — Full-Bleed Edition — framed in a gallery setting
The White Horse (Full)
John Constable
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Exhibition posterThe White Horse — Exhibition Poster — framed in a gallery setting
The White Horse — Exhibition Poster
John Constable
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Fine artDedham Vale (The Vale of Dedham) — framed in a gallery setting
Dedham Vale (The Vale of Dedham)
John Constable
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Exhibition posterDedham Vale (The Vale of Dedham) — Exhibition Poster — framed in a gallery setting
Dedham Vale (The Vale of Dedham) — Exhibition Poster
John Constable
from $39 · free shipping
Fine artSalisbury Cathedral from Lower Marsh Close — framed in a gallery setting
Salisbury Cathedral from Lower Marsh Close
John Constable
from $39 · free shipping
Fine art · full-bleedSalisbury Cathedral from Lower Marsh Close (Full) — Full-Bleed Edition — framed in a gallery setting
Salisbury Cathedral from Lower Marsh Close (Full)
John Constable
from $39 · free shipping
Exhibition posterSalisbury Cathedral from Lower Marsh Close — Exhibition Poster — framed in a gallery setting
Salisbury Cathedral from Lower Marsh Close — Exhibition Poster
John Constable
from $39 · free shipping

About John Constable

John Constable was born in June 1776 at East Bergholt in Suffolk, the son of a prosperous mill owner, and the few miles of the river Stour around Flatford and Dedham gave him the subjects of his whole career. He entered the Royal Academy Schools in 1799 and spent winters in London, but painted from oil sketches made on the spot in the valley, a practice that was unusual at the time. His large exhibition pictures, the six-footers of 1819 to 1825, turned working river scenes into monumental landscapes; The Hay Wain, shown in 1821, won a gold medal at the Paris Salon of 1824 and influenced Delacroix and the Barbizon painters, and now hangs in the National Gallery in London. In 1821 and 1822 he also made a long series of cloud studies on Hampstead Heath, each inscribed with the date, time and wind. He was elected to the Royal Academy only in 1829, at fifty-two, and died in London in March 1837. Constable looked hard at ordinary weather, wet leaves, a dappled sky, a cart in a stream, and painted it with a freshness that still reads as truthful. His pictures bring the English countryside indoors without sentiment.

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