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The Pseudonym and Autonym Libraries

Aubrey Beardsley

1894 · Colour lithograph (poster) · Library of Congress, Washington, D.C.

Size2:3 ratio
Frame
$59Unframed print · made to order

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Complete the setHangs well with these two
3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping
Giclée-printed to order on heavyweight matte fine-art paper
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Arrives perfect or we reprint it — free
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About this work

Artist
Aubrey Beardsley (1872–1898)
Year
1894
Medium
Colour lithograph (poster)
Collection
Library of Congress, Washington, D.C. (Prints and Photographs Division)
Movement
Art Nouveau

A tall woman in a long salmon-pink coat and an enormous plumed hat walks past a bookshop window towards the doorway, under the bare stems of a young tree. Aubrey Beardsley designed the poster in 1894 for T. Fisher Unwin's two series of cheap novels, the Pseudonym and Autonym Libraries, and the right-hand panel lists the titles with their prices. It is one of the posters that made the English 'aesthetic' poster famous, flat colour held in by heavy black line. The impression reproduced is in the Library of Congress.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Salmon pink and black on pale paper, for a home library, reading nook or hallway at 16×24 or 24×36 in thin black, no mat. It sits well on a white or pale grey wall and pairs with Beardsley's Yellow Book announcement.

Style, size & framing detail
Style
Art Nouveau painting
Era
19th century (1894)
Orientation
Portrait
Mood
decorative, sophisticated
Rooms
hallway or entryway, study or library, living room, dining room
Good gift for
housewarming, art lovers

Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. The gallery ground is part of the print, so frame it without a mat — dark wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials
• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or dark wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen
Shipping & returns
Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →
Is this the whole painting, or a crop?
The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.
Is The Pseudonym and Autonym Libraries in the public domain?
Yes. Aubrey Beardsley (1872–1898) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Library of Congress.
What is it printed on?
Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or dark wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.
When was The Pseudonym and Autonym Libraries painted, and in what medium?
The Pseudonym and Autonym Libraries dates from 1894 and was made in colour lithograph (poster).
What size works above a sofa or bed?
Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For The Pseudonym and Autonym Libraries we'd choose 16×24.
About this design
The Pseudonym and Autonym Libraries (Aubrey Beardsley) — The Pseudonym and Autonym Libraries · Aubrey Beardsley · 1894. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or dark wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.
Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.
Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.
Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.
Secure checkout. Payments handled by Stripe; we never see or store your card.
Also available as

An exhibition poster

The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.

Exhibition posterThe Pseudonym and Autonym Libraries — Exhibition Poster — framed in a gallery setting
The Pseudonym and Autonym Libraries — Exhibition Poster
Aubrey Beardsley
from $39 · free shipping
Related collections
Art Nouveau PrintsBelle Époque PostersFamous Painting PrintsLiving Room Wall Art & PrintsLarge & Oversized Prints (24×36)Vintage PrintsAll collections →
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