Kanagawa: View of the Embankment

Utagawa Hiroshige

1833–34 · Woodblock print; ink and colour on paper · Rijksmuseum, Amsterdam

Size3:2 ratio

Frame

$79Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Kanagawa: View of the Embankment

Chiryū: Early Summer Horse Fair

Fujieda: Changing Porters and Horses

3 × $79 at 36 × 24 in, unframed = $237 → $213.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1833–34
Medium: Woodblock print; ink and colour on paper
Original size: 24.3 × 35.9 cm
Collection: Rijksmuseum, Amsterdam (impression AK-MAK-924; many other impressions exist)
Movement: Ukiyo-e
Series: Fifty-three Stations of the Tōkaidō

A row of two-storey teahouses climbs a steep slope along the right of the picture, where women step out into the road to coax passing travellers inside. Below the bluff the bay opens wide and calm, with a large cargo boat at anchor, small craft rowing out, white sails far off at the left and a dark headland across the water. The print is number four in the Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. Kanagawa was the third station, set on high ground above Edo Bay close to today's Yokohama, and its teahouses looked straight out over the water; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Calm grey-blue water and a pale sky above a slope of brown teahouses, for a living room, dining room or study at 36×24 in black. It pairs with Kuwana: The Shichiri Ferry Landing for two harbour views along the coast road.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (1833–34)
Orientation: Landscape
Palette: cornflower blue
Mood: calm
Rooms: living room, dining room, hallway or entryway, study or library
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 36×24. Prints at 18×12, 24×16, 36×24 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard; 36×24 as the statement piece above a sofa or headboard.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16, 36×24 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Kanagawa: View of the Embankment in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Rijksmuseum.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12, 24×16 and 36×24 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Kanagawa: View of the Embankment painted, and in what medium?

Kanagawa: View of the Embankment dates from 1833–34 and was made in woodblock print; ink and colour on paper; the original measures 24.3 × 35.9 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 36×24 is the size that reads as one statement piece; 24×16 suits a narrower wall or a pair. For Kanagawa: View of the Embankment we'd choose 36×24. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

Kanagawa: View of the Embankment (Utagawa Hiroshige) — Kanagawa: View of the Embankment, Fifty-three Stations of the Tōkaidō · Utagawa Hiroshige · 1833–34. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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