Kanagawa: View of the Embankment

Utagawa Hiroshige

1833–34 · Woodblock print; ink and colour on paper · Rijksmuseum, Amsterdam

Size2:3 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Kanagawa: View of the Embankment

Koume Embankment

Nihon Embankment and Yoshiwara

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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Arrives perfect or we reprint it — free

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About this work

Artist: Utagawa Hiroshige (1797–1858)
Year: 1833–34
Medium: Woodblock print; ink and colour on paper
Original size: 24.3 × 35.9 cm
Collection: Rijksmuseum, Amsterdam (impression AK-MAK-924; many other impressions exist)
Movement: Ukiyo-e
Series: Fifty-three Stations of the Tōkaidō

A row of two-storey teahouses climbs a steep slope along the right of the picture, where women step out into the road to coax passing travellers inside. Below the bluff the bay opens wide and calm, with a large cargo boat at anchor, small craft rowing out, white sails far off at the left and a dark headland across the water. The print is number four in the Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. Kanagawa was the third station, set on high ground above Edo Bay close to today's Yokohama, and its teahouses looked straight out over the water; impressions vary in colour and condition.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

Calm grey-blue water and a pale sky above a slope of brown teahouses, for a living room, dining room or study at 24×36 in black. It pairs with Kuwana: The Shichiri Ferry Landing for two harbour views along the coast road.

Style, size & framing detail

Style: Exhibition poster of a Ukiyo-e painting
Era: 19th century (1833–34)
Orientation: Portrait
Palette: cornflower blue, cream & beige
Mood: calm
Rooms: living room, dining room, hallway or entryway, study or library, dorm room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Kanagawa: View of the Embankment in the public domain?

Yes. Utagawa Hiroshige (1797–1858) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Rijksmuseum.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Kanagawa: View of the Embankment painted, and in what medium?

Kanagawa: View of the Embankment dates from 1833–34 and was made in woodblock print; ink and colour on paper; the original measures 24.3 × 35.9 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Kanagawa: View of the Embankment we'd choose 24×36.

About this design

A museum-exhibition poster of Hiroshige's Kanagawa: View of the Embankment — the steep road of teahouses climbing the bluff at Kanagawa above a wide bay full of boats — the whole woodblock print shown uncropped beneath gallery typography. Print 4 of the 55 in Fifty-three Stations of the Tōkaidō, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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