Fuji Seen from Kanaya on the Tōkaidō

Katsushika Hokusai

c. 1830–1832 · Woodblock print; ink and color on paper · The Metropolitan Museum of Art, New York

Size3:2 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Fuji Seen from Kanaya on the Tōkaidō

Fuji Seen from the Senju Pleasure Quarter

The Back of Fuji from the Minobu River

3 × $59 at 24 × 16 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

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About this work

Artist: Katsushika Hokusai (1760–1849)
Year: c. 1830–1832
Medium: Woodblock print; ink and color on paper
Original size: 25.4 × 36.8 cm
Collection: The Metropolitan Museum of Art, New York (impression JP1294; many other impressions exist)
Movement: Ukiyo-e
Series: Thirty-six Views of Mount Fuji

Lines of porters wade through the swirling blue waves of a wide river, carrying travellers on their shoulders and palanquins and baggage on platforms above the water. On the far bank, more travellers wait by the teahouses, and Mount Fuji rises beyond the hills. The print is one of the ten additional views Hokusai added to his Thirty-six Views of Mount Fuji, published around 1830–1832 by Nishimuraya Yohachi (Eijudō), and like the others it is printed with black outlines. Kanaya was a post town on the Tōkaidō road beside the Ōi River, which had no bridge, so travellers were carried across by porters. The patterned waves are some of Hokusai's most energetic water; impressions vary in colour and condition.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

Deep blue patterned waves with a white Fuji and busy figures, for a living room, study or hallway at 24×16 in natural wood. It pairs with Kajikazawa in Kai Province for two prints of rough water.

Style, size & framing detail

Style: Ukiyo-e painting
Era: 19th century (c. 1830–1832)
Orientation: Landscape
Palette: cornflower blue
Mood: calm
Rooms: living room, hallway or entryway, study or library, dining room
Good gift for: housewarming, travelers, art lovers

Size. We'd hang this one at 24×16. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.

Framing. The gallery ground is part of the print, so frame it without a mat — natural wood flatters the lighter palette; black sharpens it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16 in; every size also available framed • Framed option: wood frame in black or natural wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is Fuji Seen from Kanaya on the Tōkaidō in the public domain?

Yes. Katsushika Hokusai (1760–1849) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by The Metropolitan Museum of Art.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12 and 24×16 inches; every size is also offered framed in black or natural wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Fuji Seen from Kanaya on the Tōkaidō painted, and in what medium?

Fuji Seen from Kanaya on the Tōkaidō dates from c. 1830–1832 and was made in woodblock print; ink and color on paper; the original measures 25.4 × 36.8 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×16 is the size that reads as one statement piece; 18×12 suits a narrower wall or a pair. For Fuji Seen from Kanaya on the Tōkaidō we'd choose 24×16. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

Fuji Seen from Kanaya on the Tōkaidō (Katsushika Hokusai) — Fuji Seen from Kanaya on the Tōkaidō, Thirty-six Views of Mount Fuji · Katsushika Hokusai · c. 1830–1832. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or natural wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

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The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

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