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Exhibition poster

Les Derniers Jours d'Enfance

Cecilia Beaux

1883–1885 · Oil on canvas · Pennsylvania Academy of the Fine Arts, Philadelphia

Size2:3 ratio
Frame
$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two
3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping
Giclée-printed to order on heavyweight matte fine-art paper
Free shipping worldwide · arrives in 4–9 business days
Arrives perfect or we reprint it — free
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About this work

Artist
Cecilia Beaux (1855–1942)
Year
1883–1885
Medium
Oil on canvas
Original size
116.2 × 137.2 cm
Collection
Pennsylvania Academy of the Fine Arts, Philadelphia
Movement
Realism

Beaux's sister Aimée Ernesta Drinker sits in a dark dress holding her young son, Henry, in a white suit on her lap, beside a small table with a vase of blossoms, on a patterned rug in a brown interior. The title means the last days of childhood. The painting won the Mary Smith Prize at the Pennsylvania Academy in 1885 and was praised at the Paris Salon in 1887, launching Beaux's career as a portraitist. It was given to the Academy by the sitters' family in 1989.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

A warm brown and black mother-and-child portrait for a living room, bedroom or hallway in a dark wood frame. It suits cream, terracotta or warm grey walls at 12×18 and pairs with Beaux's Man with the Cat.

Style, size & framing detail
Style
Exhibition poster of a Realism painting
Era
19th century (1883–1885)
Orientation
Portrait
Palette
cream & beige
Mood
intimate
Rooms
living room, bedroom, hallway or entryway, dining room, dorm room
Good gift for
housewarming, art lovers

Size. We'd hang this one at 12×18. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials
• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or dark wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen
Shipping & returns
Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →
Is this the whole painting, or a crop?
The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.
Is Les Derniers Jours d'Enfance in the public domain?
Yes. Cecilia Beaux (1855–1942) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Pennsylvania Academy of the Fine Arts.
What is it printed on?
Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or dark wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.
When was Les Derniers Jours d'Enfance painted, and in what medium?
Les Derniers Jours d'Enfance dates from 1883–1885 and was made in oil on canvas; the original measures 116.2 × 137.2 cm.
What size works above a sofa or bed?
Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Les Derniers Jours d'Enfance we'd choose 12×18.
About this design
A museum-exhibition poster of Cecilia Beaux's Les Derniers Jours d'Enfance — beaux's sister Aimée Ernesta Drinker sits in a dark dress holding her young son, Henry, in a white suit on her lap, beside a small table with a vase of blossoms, on a patterned rug in a brown interior — shown whole and uncropped beneath gallery typography. Portraits of the Gilded Age, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or dark wood. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.
Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.
Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.
Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.
Secure checkout. Payments handled by Stripe; we never see or store your card.
Also available as

A fine-art print

The same artwork as a clean fine-art print — the image shown large with a minimal caption.

Fine artLes Derniers Jours d'Enfance — framed in a gallery setting
Les Derniers Jours d'Enfance
Cecilia Beaux
from $39 · free shipping
Related collections
American PaintingRealist & Academic Paintings of the Nineteenth CenturyFamous Portrait PaintingsExhibition PostersFamous Painting PrintsLiving Room Wall Art & PrintsAll collections →
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