Kyoto: The Great Bridge at Sanjō
1833–34 · Woodblock print; ink and colour on paper · Cooper Hewitt, Smithsonian Design Museum, New York
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About this work
- Artist
- Utagawa Hiroshige (1797–1858)
- Year
- 1833–34
- Medium
- Woodblock print; ink and colour on paper
- Original size
- 23.8 × 36.2 cm
- Collection
- Cooper Hewitt, Smithsonian Design Museum, New York (impression 1948-134-55; many other impressions exist)
- Movement
- Ukiyo-e
- Series
- Fifty-three Stations of the Tōkaidō
Travellers cross the long wooden Sanjō bridge on its timber piers: porters with baggage, figures in hats and long robes, one under an umbrella. Beyond the river lie the roofs of Kyoto and wooded hills, with a pink-brown mountain rising behind under a sky glowing orange at the top. The print is number fifty-five, the last in the Fifty-three Stations of the Tōkaidō, published by Hōeidō (Takenouchi Magohachi) in 1833–34. The Great Bridge at Sanjō over the Kamo River marked the end of the Tōkaidō in Kyoto, the imperial capital, after a journey of nearly 500 kilometres from Nihonbashi in Edo; impressions vary in colour and condition.
This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.
Where it works
A warm brown bridge and pale blue river under a pink mountain and orange sky, for an entrance hall, living room or study at 16×24 in black. It pairs with Nihonbashi: Morning View, the first print of the series, for both ends of the journey.
Style, size & framing detail
- Style
- Exhibition poster of a Ukiyo-e painting
- Era
- 19th century (1833–34)
- Orientation
- Portrait
- Palette
- cornflower blue, cream & beige
- Mood
- classic
- Rooms
- living room, study or library, dining room, dorm room, hallway or entryway
- Good gift for
- housewarming, travelers, art lovers
Size. We'd hang this one at 16×24. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.
Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.
Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Kyoto: The Great Bridge at Sanjō in the public domain?
What is it printed on?
When was Kyoto: The Great Bridge at Sanjō painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
A fine-art print
The same artwork as a clean fine-art print — the image shown large with a minimal caption.
