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Exhibition poster

Christ's Entry into Brussels in 1889

James Ensor

1888 · Oil on canvas · J. Paul Getty Museum, Los Angeles

Size2:3 ratio

Will it fit? See it to scale above your sofa, bed or mantel

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

Christ's Entry into Brussels in 1889

The Garden of the Rousseau Family

The Intrigue

3 × $59 at 16 × 24 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

Choose different prints →

Giclée-printed to order on heavyweight matte fine-art paper

Free shipping worldwide · arrives in 4–9 business days

Arrives perfect or we reprint it — free

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About this work

Artist: James Ensor (1860–1949)
Year: 1888
Medium: Oil on canvas
Original size: 252.6 × 430.5 cm
Collection: J. Paul Getty Museum, Los Angeles
Movement: Expressionism

A carnival crowd of masks, clowns, bishops, soldiers and a marching band pours towards us beneath a red banner reading Vive la Sociale, filling the canvas edge to edge in red, yellow, green and pink. Almost lost in the middle, a small Christ with a yellow halo rides a donkey, ignored by all. Ensor painted it in 1888 on a single canvas more than four metres wide, nailing part of it to the wall as he worked. Rejected by Les XX, it was not exhibited until 1929, and the J. Paul Getty Museum in Los Angeles bought it in 1987.

This exhibition-poster edition shows the whole work beneath original typography set in-house. The original is in the public domain.

Where it works

Crowded red, yellow and green energy suits a large living room, dining room or games room wall where people gather. Pair it with Repin's Reply of the Zaporozhian Cossacks, another roaring crowd of faces, at 24×36 in a black frame.

Style, size & framing detail

Style: Exhibition poster of a Expressionism painting
Era: 19th century (1888)
Orientation: Portrait
Palette: cream & beige
Mood: grand
Rooms: living room, dining room, dorm room, hallway or entryway
Good gift for: housewarming, art lovers

Size. We'd hang this one at 24×36. Prints at 12×18, 16×24, 24×36 in — 12×18 for a shelf, desk or a gallery-wall grid; 16×24 above a desk, console or in a hallway; 24×36 as the statement piece above a sofa or bed.

Framing. Exhibition posters sit best in a slim black frame with no mat — the typeset margin is the mat.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Exhibition poster — original, drawn in-house • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 12×18, 16×24, 24×36 in; every size also available framed • Framed option: wood frame in black or dark wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The exhibition-poster edition sets the complete image above typography designed in-house.

Is Christ's Entry into Brussels in 1889 in the public domain?

Yes. James Ensor (1860–1949) died more than 70 years ago and the work was made and first published more than 95 years ago, so the painting itself is public domain in the US and Europe. This print is a reproduction made from a high-resolution scan of the original, which is held by J. Paul Getty Museum.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 12×18, 16×24 and 24×36 inches; every size is also offered framed in black or dark wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was Christ's Entry into Brussels in 1889 painted, and in what medium?

Christ's Entry into Brussels in 1889 dates from 1888 and was made in oil on canvas; the original measures 252.6 × 430.5 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×36 is the size that reads as one statement piece; 16×24 suits a narrower wall or a pair. For Christ's Entry into Brussels in 1889 we'd choose 24×36.

About this design

A museum-exhibition poster of James Ensor's Christ's Entry into Brussels in 1889, 1888, shown whole and uncropped beneath gallery typography. Masks and The Modern Carnival, styled as a blockbuster exhibition print. A gallery-style exhibition poster: a celebrated public-domain artwork shown whole and uncropped beneath original exhibition typography set in-house — printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or dark wood. Part of the Madten Exhibition Posters Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

Secure checkout. Payments handled by Stripe; we never see or store your card.

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