The Ironworkers' Noontime

Thomas Anshutz

1880 · Oil on canvas · Fine Arts Museums of San Francisco

Size3:2 ratio

Frame

$59Unframed print · made to order

📦 Free shipping on every order, arriving in 4–9 business days with production included. Express ($14.90) at checkout arrives in 4–6 business days.

Complete the setHangs well with these two

This print

The Ironworkers' Noontime

The Champion Single Sculls (Max Schmitt in a Single Scull)

The Biglin Brothers Racing

3 × $59 at 24 × 16 in, unframed = $177 → $159.30 as a set · 10% included · free shipping

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Giclée-printed to order on heavyweight matte fine-art paper

Free shipping worldwide · arrives in 4–9 business days

Arrives perfect or we reprint it — free

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About this work

Artist: Thomas Anshutz (1851–1912)
Year: 1880
Medium: Oil on canvas
Original size: 43.2 × 60.6 cm
Collection: Fine Arts Museums of San Francisco
Movement: Realism

Men from an iron foundry stretch, wash and spar in the yard at the noon break, in hard sunlight against the brick walls and chimneys of the works. Anshutz, a student of Eakins, painted it in 1880 after sketching at a nail factory in Wheeling, West Virginia, and it is often called the first American painting of industrial labour. It is in the Fine Arts Museums of San Francisco.

This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.

Where it works

A sunlit factory scene for a study, office or workshop in a dark wood frame. It suits warm white, brick or grey walls and is a gift for an engineer or tradesperson.

Style, size & framing detail

Style: Realism painting
Era: 19th century (1880)
Orientation: Landscape
Mood: classic
Rooms: study or library, home office, living room, dining room
Good gift for: housewarming, art lovers

Size. Prints at 18×12, 24×16 in — 18×12 for a shelf, desk or a gallery-wall grid; 24×16 above a console or sideboard.

Framing. The gallery ground is part of the print, so frame it without a mat — black suits the deep tones of this period; dark wood warms it.

Pairing. Pairs as a set of three with other famous painting prints (10% off three or more).

Details & materials

• Restored in-house from the original painting — cleaned and colour-trued at museum resolution • Heavyweight matte fine-art paper, giclée printed at 300 DPI • Sizes: 18×12, 24×16 in; every size also available framed • Framed option: wood frame in black or dark wood, 12 mm wide and 22 mm deep, with a plexiglass front and no mat; the print is mounted inside and the frame's outside measures the listed size • Made to order; colours may vary slightly from screen

Shipping & returns

Printed after you order at the facility nearest you, then shipped. Standard delivery is free and takes 4–9 business days from order to door in the US, UK and EU (up to 10 elsewhere); Express takes 4–6 business days. Because each print is made to order we don't take change-of-mind returns, but if it arrives damaged or flawed we'll reprint or refund it — no return needed. Full policy →

Is this the whole painting, or a crop?

The whole work, uncropped. The image fills the print at the painting's own proportions; nothing is trimmed to fit a frame.

Is The Ironworkers' Noontime in the public domain?

Yes. Thomas Anshutz (1851–1912) died more than 70 years ago and the work was published before 1929, so the painting itself is public domain. This print is a reproduction made from a high-resolution scan of the original, which is held by Fine Arts Museums of San Francisco.

What is it printed on?

Heavyweight matte fine-art paper with pigment inks, made to order in 18×12 and 24×16 inches; every size is also offered framed in black or dark wood, with plexiglass and no mat. Colours are matched to the scan, not brightened.

When was The Ironworkers' Noontime painted, and in what medium?

The Ironworkers' Noontime dates from 1880 and was made in oil on canvas; the original measures 43.2 × 60.6 cm.

What size works above a sofa or bed?

Across a three-seat sofa or a queen bed, 24×16 is the size that reads as one statement piece; 18×12 suits a narrower wall or a pair. It is a landscape print, wider than it is tall, at the painting's own proportions.

About this design

The Ironworkers' Noontime (Thomas Anshutz) — The Ironworkers' Noontime · Thomas Anshutz · 1880. This is a fine-art reproduction of a public-domain masterwork, shown whole and uncropped on a gallery ground, printed to order on heavyweight matte fine-art paper. Every size is offered unframed or framed in black or dark wood. Part of the Madten Fine Art Collection. — — — Printed to order and shipped by our production partner, Gelato.

Buy with confidence

The Madten promise

Gallery-grade archival giclée. Rich pigment inks on heavyweight fine-art paper (or gallery-wrapped canvas) — built to last, not a poster-shop print.

Arrives perfect or we reprint it — free. Every piece is made to order; if it shows up damaged or flawed we remake it, no return needed.

Free worldwide shipping. Made & shipped from the facility nearest you — most orders arrive in 4–9 business days.

Secure checkout. Payments handled by Stripe; we never see or store your card.

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