Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge
c. 1688 · Oil on canvas · National Museum of Women in the Arts, Washington, DC
📦 Free shipping on every order — or upgrade to Express ($14.9) at checkout. Most orders arrive in ~4–8 business days (Express 2–4).
This print

About this work
- Artist
- Rachel Ruysch (1664–1750)
- Year
- c. 1688
- Medium
- Oil on canvas
- Original size
- 42.5 × 33 cm
- Collection
- National Museum of Women in the Arts, Washington, DC
- Movement
- Dutch Golden Age
Roses, convolvulus, poppies and a tangle of other blooms rise in a loose pyramid from an urn set on a stone ledge, lit from the front so that the central flowers glow against a dark ground with a hint of architecture behind. Rachel Ruysch painted every grain of pollen inside the open flowers and let insects settle on petals and curling leaves that are just beginning to brown. It is an early work, from the 1680s, when she was in her twenties and already selling to collectors; she went on to a career of nearly seventy years. Some see vanitas symbols in the fading leaves and the insects, but the museum reads them as plain observation of living things rather than a sermon on decay. It came to the National Museum of Women in the Arts in Washington in 1986 as a gift from Wallace and Wilhelmina Holladay, the museum's founders.
This print reproduces the whole work, uncropped, from a high-resolution scan of the original. The original is in the public domain.
Details & materials
Shipping & returns
Is this the whole painting, or a crop?
Is Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge in the public domain?
What is it printed on?
When was Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge painted, and in what medium?
What size works above a sofa or bed?
About this design
The Madten promise
An exhibition poster
The same artwork as a gallery exhibition poster — title, artist & date typeset beneath the image on a soft ground.
The full-bleed edition
The painting printed edge-to-edge at its own proportions, filling the whole sheet — and available on gallery-wrapped canvas.
















